Ellen Umlauf

Inside the Kit Kat Club of 1931 Berlin, starry-eyed singer Sally Bowles and an impish emcee sound the clarion call to decadent fun, while outside a certain political party grows into a brutal force.

In 1923 Berlin, following the suicide of his brother, an American acrobat struggles to survive while facing unemployment, depression, alcoholism, and the social decay of Germany during the Weimar Republic.

After several attempts to approach film star Cesar Valentin, writer Brian Smith takes matters into his own hands, shooting the actor in front of hundreds of fans, only to be killed himself in the ensuing chaos. Achieving instant notoriety, Smith transcends with Valentin to a luxury hotel in the afterlife, a strange new world beyond the veil of mortality inhabited exclusively by dead celebrities.

True story of two diametrically opposed young women dealing with terminal illness.

Austrian television director Fritz Lehner makes his feature debut with the big-budget drama Jedermann's Fest, based on the 1911 play by Hugo von Hofmannsthal, which in turn was based on a medieval tale. Originated in parts of England, the myth of Jan Jedermann ("John Everyman") deals with a rich man on his deathbed coming to terms with his life's failures. Not following much of a plot, the modernized version involves famous fashion designer Jedermann (Klaus Maria Brandauer) imagining his last big gala event while rendered unconscious as a result of a car accident in his Ferrari. He is a success in Vienna but not in fashionable Paris, so he wishes to impress French elder stateswoman Yvonne Becker (Juliette Greco).

A reporter becomes embroiled in a deadly game when researching a series of murders on a South American island.

A tribunal interrogates, tortures and murders "witches" and "heretics" during the Inquisition.

The 30-years old Max is MD and engaged to the attractive Coco, who jealously keep watch over him. After he heard the lovely voice of an unknown misdialing woman, he starts a restless search ...

Schroeter's virtuosic staging of the Oscar Wilde tragedy is a complex montage of image and sound, filmed on the grand steps of Baalbeck, the ancient Roman temple in Lebanon, and interweaving Lebanese and German folk songs with the music of Verdi, Wagner, Strauss, Mozart, Bellini, and Donizetti. Elfi Mikesch, the cinematographer of Schroeter’s later films, designed the film’s sumptuous costumes. A contemporary critic for Le Monde wrote admiringly of Schroeter’s depiction of "the deadly struggle between dark Christian morality and luminous paganism.“

A comedy directed by Franz Josef Gottlieb

The students at a school of hotel management repurpose the institute into a hotel with a show stage, double-cross the principal, the groundskeeper, and a grumpy millionaire, and cause so much mischief and confusion that, in the end, there is only one thing left to do: laughing to the bitter end!

The young policeman Joachim Krippo likes to occasionally share his bed with a nice married couple. When he is supposed to be guarding the criminal Engel Potraske during a court appearance, the dangerous Engel manages a spectacular escape, but departs minus a toe! Krippo is subsequently suspended from his duties and put with other police officers under the care of an elderly police psychologist. Krippo's professional set-backs are followed by private ones: his grandad - who was actually being well looked-after in an old people's home - is dropped off at his place because the payments due have not been made. He tries to get his grandad out of the flat by pairing him off with the police psychologist. But, in the critical moment, Krippo lunges for the bait himself. At least, this means that he will be discharged from the psychograph tests as being fit for service again...

Werner Schroeter's rhapsody of excess leaps from 1949 Cuba to contemporary France to points in between, while its feverishly shifting visual style evokes and parodies everything from kitschy Mexican telenovelas to silent French art films.

A deaf and dumb accountant suffers from a psychic trauma in his childhood. He is collecting puppets and mutilates female bodies in the mortuary. After his secret love died by an accident he starts to kill.

Five more-or-less distinct sections, all featuring "Freak" Orlando, a woman played by the late Magdalena Montezuma, who appears in various guises and deformities throughout.

Munich at night: Robert Susmeit, a 16-year-old teenager who is jealously obsessed with his mother Hilde, traces her and her latest lover at a mundane apartment building where he kills the man in the heat of the moment at a swimming pool. His fatal outburst is secretly witnessed by Moni Dingeldey, a girl of the same age as his. Fascinated by the shaken and devastated strange boy who she hopes to be a soul-mate, she hides Robert in her mother's apartment. Meanwhile, a crowd of policemen and reporters frantically comb through the building in search a murderer whose identity is known only to Robert's parents who are searching as well...

Dr. Gabriel Eisenstein, legal counsel at Arabayam & Co., is serving an eight-day sentence in the Grinzing district prison for insulting a public official. At the same time, however, he is to attend Prince Orlofsky's ball on behalf of his employer, Basil Arabayam, posing as Marquis Renard with a fictitious wife. Said woman is to persuade the prince to donate oil-rich lands in Bakutin on the Black Sea to her, which are to be immediately transferred to Arabayam...

An ancestor of the famous vampire gets a job as a photographer shooting beautiful fashion models at the family estate.

A woman experiences psychic disintegration and ends up in a psychiatric hospital.

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

The girlfriend of a beatnik-hippy artist enjoys having her body painted, posing naked for her boyfriend and seducing other men.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

Der Kommissar is a German television series about a group of detectives of the Munich homicide squad. All 97 episodes, which were shot in black-and-white and first broadcast between 1969 and 1976, were written by Herbert Reinecker and starred Erik Ode as Kommissar Herbert Keller. Keller's assistants were Walter Grabert, Robert Heines, and Harry Klein who, in 1974, was replaced by his younger brother Erwin Klein.

Polizeiinspektion 1 is a German television series.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Der Bergdoktor is a German-Austrian medical drama television series, broadcast in 96 episodes between 1992 and 1997.

Graf Yoster gibt sich die Ehre [French title: Le comte Yoster a bien l'honneur] is a TV series which followed the adventures of the title’s amateur gentleman detective. It was a success in particular in Germany and in France. Originally the show was a German production in black-and-white but it evolved into a European co-production in colour.

Kaisermühlen Blues is an Austrian television series.

Der Bastian is a German television series written by Barbara Noack, broadcast in 13 episodes between 1972 and 1973 on ZDF.

Anderland was a 45-part German children's mystery television series which aired for the first time on 4 March 1980 on ZDF. It starred Carlo Ianni, Dirk Zalm, Mira Gittner and Loni von Friedl.

Funkstreife Isar 12 is a German television series.

Kommissar Freytag is a German television series.

Kara Ben Nemsi Effendi is a German television series broadcast from 1973 through 1975 in 26 parts and two seasons. It featured an adventurer probably inspired by British explorers Richard Francis Burton and T. E. Lawrence. The scripts were faithful to Karl May's Orient novels and the score is from Martin Böttcher who previously had composed the music for ten very successful Karl May films in cinema and in 1998 also for the two parts of Winnetous Rückkehr, also being aired by the German station ZDF.

Der Kurier der Kaiserin is a German Television series.

Der kleine Doktor is a German television series.