Jim Jarmusch

Karl Childers, a mentally disabled man, has been in the custody of the state mental hospital since the age of 12 for killing his mother and her lover. Although thoroughly institutionalized, he is deemed fit to be released into the outside world.

A wacky group of locals visit the neighborhood cigar shop, looking for good times and finding plenty of hilarious fun. But when the greedy owner threatens to close the shop for good and turn it into a trendy vegetarian restaurant, the neighborhood proves they'll do just about anything to save their favorite hangout.

No other band in rock'n'roll history has rivaled The Stooges' combination of heavy primal throb, spiked psychedelia, blues-a-billy grind, complete with succinct angst-ridden lyrics, and a snarling, preening leopard of a frontman who somehow embodies Nijinsky, Bruce Lee, Harpo Marx, and Arthur Rimbaud all rolled into one. There is no precedent for The Stooges, while those inspired by them are now legion. The film will present the context of their emergence musically, culturally, politically, historically, and relate their adventures and misadventures while charting their inspirations and the reasons behind their initial commercial challenges, as well as their long-lasting legacy.

Film producer Sy Lerner makes a bet with a fellow film executive that he can turn any nobody into a star at the Cannes Film Festival. A New York cab driver who is visiting the festival is chosen as the test subject to settle the bet and Sy uses his skills of hype and manipulation to try and turn the cab driver named Frank into the talk of the town. Many celebrities make cameos throughout the film.

The Leningrad Cowboys, a group of Siberian musicians, and their manager, travel to America seeking fame and fortune. As they cross the country, trying to get to a wedding in Mexico, they are followed by the village idiot, who wishes to join the band.

Recorded live at the Coconut Grove in Los Angeles, Roy is joined by an eclectic ensemble of rock and roll superstars including Jackson Browne, Elvis Costello, T-Bone Burnett, J.D. Souther, Jennifer Warnes, k.d. lang, Bonnie Raitt, Bruce Springsteen and Tom Waits.

When Howard Brookner lost his life to AIDS in 1989, the 35-year-old director had completed two feature documentaries and was in post-production on his narrative debut, Bloodhounds of Broadway. Twenty-five years later, his nephew, Aaron, sets out on a quest to find the lost negative of Burroughs: The Movie, his uncle's critically-acclaimed portrait of legendary author William S. Burroughs. When Aaron uncovers Howard's extensive archive in Burroughs’ bunker, it not only revives the film for a new generation, but also opens a vibrant window on New York City’s creative culture from the 1970s and ‘80s, and inspires a wide-ranging exploration of his beloved uncle's legacy.

An aspiring young filmmaker gets involved with an eccentric gangster for the financing of his first film.

As the front man of the Clash from 1977 onwards, Joe Strummer changed people's lives forever. Four years after his death, his influence reaches out around the world, more strongly now than ever before. In "The Future Is Unwritten", from British film director Julien Temple, Joe Strummer is revealed not just as a legend or musician, but as a true communicator of our times. Drawing on both a shared punk history and the close personal friendship which developed over the last years of Joe's life, Julien Temple's film is a celebration of Joe Strummer - before, during and after the Clash.

Jay Z performs Picasso Baby at the Museum of Modern Art in NYC.

Berlin Underground-star Ulrike S. went to the Toronto-Filmfestival and then to New York - to find out something about the film business and also about her own desires, daydreams and nightmares.

A Paul Joyce documentary on the American independent film scene.

A gang of bank robbers with a suitcase full of money go to the desert to hide out. After burying the loot, they find their way to a surreal town full of cowboys who drink an awful lot of coffee.

A documentary on the Z Channel, one of the first pay cable stations in the US, and its programming chief, Jerry Harvey. Debuting in 1974, the LA-based channel's eclectic slate of movies became a prime example of the untapped power of cable television.

A portrait of the American director Jim J. at work on the set of his latest film, Only Lovers Left Alive.

A Finnish taxi driver in Berlin gets in over his head when he accepts a fare from two men with briefcases full of money stolen from ruthless gangsters.

Exploring the pre-fame years of the celebrated American artist Jean-Michel Basquiat, and how New York City, its people, and tectonically shifting arts culture of the late 1970s and '80s shaped his vision.

Born with a silver spoon, Jonathan Shaw chose, at the height of his career as a tattoo artist, to give up on his celebrity lifestyle in order to escape from his own vicious cycle.

A document of Neil Young and Crazy Horse's 1996 concert tour. Director Jarmusch conducts interviews about the band's long history, interspersed with backstage footage from the 1970s and 1980s.

The evolution of the depiction of the various Native American peoples in cinema, from the silent era to the present day: how their image on the screen has changed the way to understand their history and culture.

In a documentary about Samuel Fuller, the spectator gets different impressions about the Hollywood director and his films. The film is divided into the three sections: The Typewriter, the Rifle and the Movie Camera. The first segment covers Fuller's past as a newsman where he began as a copy boy and ended as a reporter. Part two describes Fuller's experiences in World War II, in which he participated as a soldier. The last section focuses on Fuller as director. Tim Robbins interviews Samuel Fuller revealing the director's own memories and impressions. Beside the interview, Jim Jarmusch, Martin Scorsese and Quentin Tarantino accompany the documentary with their comments.

The life and times of Baltimore film maker and midnight movie pioneer, John Waters.

Nan Goldin's slide show “The Ballad of Sexual Dependency” converted, mixed and screened as a film by the artist, portraying the American underground culture, the no wave scene, post-Stonewall gay subculture, among others.

Set in Springfield, the average American town, the show focuses on the antics and everyday adventures of the Simpson family; Homer, Marge, Bart, Lisa and Maggie, as well as a virtual cast of thousands. Since the beginning, the series has been a pop culture icon, attracting hundreds of celebrities to guest star. The show has also made name for itself in its fearless satirical take on politics, media and American life in general.

While attending a Hollywood premiere with a famous action star, a crazed fan pulls a gun—but her movie hunk turns into a coward, and it's Vallery who becomes the hero. Suddenly, she's thrown into a world of action and danger as owner of a Hollywood protection agency, Vallery Irons Protection (V.I.P.), taking risks to protect others at a price few are willing to pay.

A documentary-style look into the daily (or rather, nightly) lives of a group of vampires in Staten Island who have “lived” together for hundreds and hundreds of years.

A cartoon superhero interacts with live guests via his television set in this parody talk show based on 1960s Hanna-Barbera cartoon character Space Ghost.

Deep down in the Pacific Ocean in the subterranean city of Bikini Bottom lives a square yellow sponge named SpongeBob SquarePants. SpongeBob lives in a pineapple with his pet snail, Gary, loves his job as a fry cook at the Krusty Krab, and has a knack for getting into all kinds of trouble without really trying. When he's not getting on the nerves of his cranky next door neighbor Squidward, SpongeBob can usually be found smack in the middle of all sorts of strange situations with his best buddy, the simple yet lovable starfish, Patrick, or his thrill-seeking surfer-girl squirrel pal, Sandy Cheeks.

Jonathan Ames, a young Brooklyn writer, is feeling lost. He's just gone through a painful break-up, thanks in part to his drinking, can't write his second novel, and carouses too much with his magazine editor. Rather than face reality, Jonathan turns instead to his fantasies — moonlighting as a private detective — because he wants to be a hero and a man of action.

In these insightful one-on-one interviews, the industry’s biggest and brightest join host Elvis Mitchell (film authoritarian and critic for The New York Times) in front of a live audience for an in-depth look at the art of filmmaking and a discussion about their latest and greatest works.

Musician John Lurie knows nothing about fishing, but that doesn't stop him from embarking on fishing in exotic locations with friends.