Arfan Mredha Shiblu

Four women are pushed to their breaking point in Dhaka’s underbelly, where the only way to survive systemic exploitation is to stop being the prey and start being the threat.

When betrayal threatens everything he holds dear, Malik embarks on a relentless journey fueled by revenge, honor, and justice.

Yusuf, a brutal underworld kingpin, clashes with a relentless cop as a mysterious vigilante wages war on crime. As loyalties blur and vengeance builds, a high-stakes battle unfolds where justice teeters-hero, villain and avenger converge.

Sweety, a runaway bride, accidentally tosses Adnan's beloved camera into the river. Determined to seek compensation, Adnan and his friend chase her to Barisal. There, they find themselves tangled in a web of troubles as Sweety struggles to escape another marriage. How will they get out of this mess?

When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don't catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them.

Bilkis Banu lost her husband Hasan on the night of 25th March 1971. She tries to forget him and concentrate on the urban guerrilla movements of Dhaka with Altaf Mahmud, Shahadat, Mrs Khan and many more. But when spies and the razakars inform them, most of their people get arrested and Bilkis has to run for her life, towards her village.

A down-on-his-luck drifter, Omar, stumbles into a dangerous situation when he participates in the accidental death of a powerful businessman's ruthless son. Now forced to work alongside the son's bodyguard, Omar must help conceal the body.

Set in the backdrop of the scathing consequences of climate change, an impoverished ambulance driver Saiful staggers between two wives while he sets out on a bone-tired journey of moral decay, murder, deception, and social bashing.

‘Dui Shaw’ is the modern revival of the mysterious and lurid plots of traditional South Asian folk tales told from generation to generation. A sequel series to ‘Pett Kata Shaw’, Dui Shaw delves into the horrors of the present instead of the folktales of old.

Female-centric action-thriller.

Pett Kata Shaw takes the darkest most nefarious Bengali folk tales that survived generations and gives them a modern twist. Our stories and our culture must live on. Ghost stories too.

Tiger works on ship building on the opposite side of Sadarghat. The identity of street child Tiger is that he lives in the passenger camps, boats, ships and warehouses of Sadarghat, so the old Sadarghat is his home. He usually walks on both sides of the ghat and a beautiful girl named Laili lives here. Tiger falls in love with Laili later, and Laili rejects him. Since then, Tiger has not left Laili behind. Laili gets annoyed with Tiger's pain. Thus, the story of Tiger in Sadarghat in begins.