Edwige Feuillère

French silent film pioneer Abel Gance directs this 1935 classic about Lucrezia Borgia, her brother, Cesare. and her father, Pope Alexander VI -- one of history's most ruthless and ambitious crime families.

A disturbed young woman is kept prisoner in a castle by her aunt for her money. The game-keeper, her guardian, tries to rape her but she escapes. In her flight she meets a man also running away, from two killers.

Leading lawyer Andre Gobillot takes the case of Yvette, a young criminal. As he works on her defence, an unexpected romance blooms between them, only to be cut short by a tragedy.

The final days of Jesus from the time he enters the city of Jerusalem. Viewed as a threat, it is decided that he must be captured, tried, and executed as a criminal, a plan aided and abetted by disciple Judas Iscariot.

Lucrèce, a famous actress, is bothered first, then flattered by the passionate testimonies of love given to her by François, a 12th grade student infatuated with her. Taking pity on the boy, Lucrèce decides to heal him of his madness and with this in mind she invites him for a working holiday on her farm. Instead, she falls in love with the cherub. At a time, her young lover grows so jealous of her that he attempts suicide. The mature actress then understands that their love story is going nowhere. She will remain alone while François will forget her.

French film favorite Edwige Feuillere plays a high-class gangster's moll named Maine. When Maine's first husband and daughter pay a visit, it's an awkward time for our heroine and her current amour, gang boss Godot (Jean Servais). In addition to fielding a lot of embarrassing questions, Godot also has to deal with a pesky turf war with a rival mobster. Not that the ex-husband is a paragon of virtue: he's busy trying to get even with a crooked business associate.

An anthology of four historical love affairs: at Versailles, Louis XIV shares his mistress with one of his subjects; a courtesan tries to disfigure her lover with acid; a medieval wife faces the wrath of her husband's father, who has her condemned to death; and a stage actress provides advice on life and love to her young colleague.

Political intrigue and psychological drama run parallel. The queen is in seclusion, veiling her face for the ten years since her husband's assassination, longing to join him in death. Stanislas, a poet whose pen name is Azrael, is a suicidal anarchist, his imagination haunted into hate by longing for this queen who's drawn apart. He enters her private quarters intent on killing her then himself, but they fall in love, in part because he looks like the king. Stanislas wants her to regain political power by appearing to the public, and she tries to convince him to find hope and escape. All the while, the queen's enemies plot to keep the lovers together but to thwart their plans.

She is said to be cold, secretive and mysterious. She has the reputation of not letting anything of her intimate thoughts, her private life, her joys as well as her torments show through. She managed to protect her family, her loves, her choices from the curiosity of magazines and her public. A tour de force for a sixty year long career with more than one hundred and thirty films shot with the greatest filmmakers in the world. However, the raw material for a very personal account of Catherine Deneuve exists: it can be found in the interviews given by the actress from her beginnings until today. They allow us to discover another Catherine Deneuve.

An English lord who dislikes women meets a French movie star who dislikes men.

The writer Pierre Carot became rich and famous with his book "Life as a Couple", which was based on the loving relationships of four couples. Now he's setting up his will and wants to leave his wealth to the couples among the four, which are still as deeply in love - if any: else, his companions get the money. He sends them out to visit the couples and test their love.

Old friends of Vera Vronsky remind her of her past and try to blackmail her.

Monsieur Albert is a very elegant and much-appreciated butler. One day he falls in love with a client, Sylvia Robertson, and follows her to a winter sports resort. Sylvia does not recognize him and imagines that he is related to a king who goes incognito.

The Tunisian born hero of the film decides to break with his disorganized yet habit-ridden life in Paris, and sets off to discover his homeland, which he left at 6 years old, and to rekindle the memory of his mother, who died when he was a child.

A man walks into a movie theater in Paris and starts watching a film—the same one we're watching, consisting of four stories of best criminal intentions gone awry from the Middle Ages to the present day.

During the Rif War, a lieutenant commands a torpedo boat. He finds in an abandoned yacht, a beautiful portrait of a woman, and soon meets this one who is married to a brutal and jealous baron.

A woman of the world has fallen in love with a metalworker, and one evening gives herself to him. Some time later, the worker becomes blind. One last time, he will touch with his hands the machines with which he will no longer work while the countess returns to her life of pleasures.

"Olivia" captures the awakening passions of an English adolescent sent away for a year to a small finishing school outside Paris. The innocent but watchful Olivia develops an infatuation for her headmistress Julie and through this screen of love observes the tense romance between Julie and the other head of the school Cara in its final months.

A writer discovers a link between a vegetarian restaurant and a series of mysterious deaths.

It is only the prospect of having a child that eventually draws otherwise strictly urban new wife Suzette to the farm of an Italian working class family. She really doesn't like the country or her in laws.

Friends since infancy, two youngsters struggle as their platonic bond blossoms into romantic love with adolescence.

Edwige Feuillère and Pierre Richard-Willm star in director Jacques de Baroncelli's adaptation of the Balzac novella The Duchesse de Langeais, which tells the tale of a Parisian socialite who is romantically pursued by a Napoleonic war hero. With a screenplay by Jean Giraudoux.

Midi Première is a French variety show presented by Danièle Gilbert, directed by Jacques Pierre and broadcast from January 6, 1975 until January 1, 1982 on TF1. The program was generally broadcast between 12:15 p.m. and 12:55 p.m., then giving way to the 1:00 p.m. TV news. However, the broadcast schedule could change, depending on the guests, and the setting where the recording of the program was shot. Certain performances by artists who have become cult like the one where Ringo jostles with a demonstrator in interpretation (1977), that of Dalida with the title There is always a song with the soundtrack that does not start, twice, at the right speed (1978), Claude François and his Clodettes, who, in the provinces, are unable to join "the set" in order to interpret his song, the latter being taken by the crowd of delirious fans (summer 1977) . The group Supertramp performed there with the title "Dreamer" on March 8, 1975.

Le Grand Échiquier is a French variety television program created and presented by Jacques Chancel. It aired at 8:30 pm on the first channel of the ORTF from January 12, 1972 to July 12, 1972, then on the second color channel of the ORTF from September 1972 to December 1974, and finally on Antenne 2 from January 1975 to December 21, 1989. The program returned to France 2 on December 20, 2018 and is hosted by Anne-Sophie Lapix.

French miniseries.

The head of the family is a beautiful and independent woman who lives with her mother Isa, grand-mother Liane, aunt Teresa. The tribe spends holidays in the countryside. Everyone carries his issues, despite the pleasure to be together.