Tom Stoppard

A documentary on the life and career of one of the most influential film directors of all time, Steven Spielberg.

Follow the moment Barrett was kicked out of Pink Floyd, from the narrative of him going from groundbreaking musician to iconic rocker and manic, unstable star.

In documentary style, Al Pacino tells the story of how he came to stage a production of Oscar Wilde's Salomé. He travels to the Mojave Desert ("dessert?"), to Ireland and the United Kingdom to show who Wilde was as a private person and as a writer.

Rob Hedden's witty on-set documentary captures the revolutionary air that had begun to swirl around Brazil even before the controversy surrounding its U.S. release. It features footage of director Terry Gilliam; actors Michael Palin, Jonathan Pryce, and Kim Geist; screenwriters Tom Stoppard and Charles McKeown; and other key members of Brazil's cast and crew.

Soviet writer and dissident Vladimir Bukovsky leaves the Soviet Union in 1976 after years spent in their prisons and psychiatric wards.

“In-Side-Out” is the debut film by US beat poet George Moorse, a wildly colorful pop poem. The film critic Enno Patalas described “In-Side-Out” as a “fantastic abracadabra and erotic delirium” and considered it the best West German film at the 1965 Oberhausen festival. “In-Side-Out” was also the LCB's first film production: the cheerful and colorful kaleidoscope of romantic love, told as an associatively swirling sequence of images.

This absolutely top-notch documentary by Robert Fischer is a fascinating look back at not just the film in question, but Fassbinder's meteoric career which ended all too soon with his untimely death. Archival footage of Fassbinder is utilized (including several fascinating snippets culled from interviews he did at the disastrous Cannes premiere of Despair), as well as many others involved in the film and its release. Even if you're not a particular fan of Despair, or even in fact of Fassbinder, this is stellar documentary film making and is an intriguing look at one of the most enigmatic masters of the New German Cinema.

Sir André Previn, born in Berlin in 1929, figures among the most prominent musicians of the 20th and early 21st centuries. He won four Academy Awards for his film scores, he composes concertos, musicals and operas. He conducts, arranges music, and is a renowned pianist, as well as a jazz musician. Previn’s first opera, ‚A Streetcar Named Desire’, based on Tennessee Williams’ play, successfully premiered in San Francisco, in 1998. Our film mirrors Sir Previn’s affinities to Europe as well as to the United States. He is at home in both worlds, with their rather different cultural realities.

Tom Stoppard is perhaps the world’s leading, funniest and cleverest playwright. Ever since he hit the ground running in the 1960s with Rosencrantz and Guildenstern Are Dead, there has always been a streak of melancholy beneath the sparkling surface of his work. Now with his latest play, Leopoldstadt, he comes full circle and faces up to the pain and loss in his past. In this programme, he tells Alan Yentob his extraordinary story.

The Antoinette Perry Award for Excellence in Theatre, more commonly known as a Tony Award, recognizes achievement in live Broadway theatre. The awards are presented by the American Theatre Wing and The Broadway League at an annual ceremony in New York City. The awards are given for Broadway productions and performances, and an award is given for regional theatre.

Omnibus was an arts-based BBC television documentary series, broadcast mainly on BBC1 in the United Kingdom. The programme was the successor to the long-running arts-based series 'Monitor'. It ran from 1967 until 2003, usually being transmitted on Sunday evenings. During its 35-year history, the programme won 12 Bafta awards. Among the series' best remembered documentaries are Cracked Actor, a profile of David Bowie, and Rene Magritte, a graduate film by David Wheatley, 'Madonna: Behind the American dream', a film produced by Nadia Hagger, and a profile of the British film director Ridley Scott. For a season in 1982, the series was in a magazine format presented by Barry Norman. The series was replaced by 'Imagine' hosted by Alan Yentob.

Friday Night, Saturday Morning was a television chat show with a revolving guest host. It ran on BBC2 from 28 September 1979 to 2 April 1982, broadcast live from the Greenwood Theatre, a part of Guy's Hospital. It was most notable for being the only television show to be hosted by a former British Prime Minister and for an argument about the blasphemy claims surrounding the movie Monty Python's Life of Brian. The programme was the idea of Iain Johnstone and Will Wyatt, who insisted on a changing presenter every fortnight. Another innovation was that the presenters chose the guests they were to interview.

A monthly series of highly personal documentary films in which individuals are given a platform to discuss issues close to their heart.