Françoise Giret

A cold-war spy parody. After the death of an armaments manufacturer, an international group of spies is drawn into a high-stakes battle of wits to obtain the valuable military patents which have been inherited by the lovely widow.

Set against the troubled period of the Wars of Religion in France, at a time when the three Henries (Henri III, Henri de Guise and Henri de Béarn) vied for the the throne, these new adventures of Pardaillan have the gallant musketeer defend the rightful king Henri III.Jean gives his full to thwart the Duke of Guise's attempts to have the king assassinated. A heartthrob more than ever, Pardaillan will awake serious interest in many a girl, at times becoming their prey like with Bianca Farnese, De Guise's agent.

Somewhere in rural France, a young English female tourist is sexually assaulted by two men in the countryside. After she manages to escape, a party of local hunters agree to track her in order to cover up the scandal.

In a moment of madness a middle-aged, married and respectable pharmacist kills a young woman who is sun-bathing by a lake. Unable to take in what he has done, he flees from the scene of the crime and behaves as if nothing has happened. Eventually her boyfriend is charged with the crime and, in a strange twist of fate, the killer finds himself serving on the jury.

In 16th-century France, the Chevalier de Pardaillan rescues the beautiful gypsy "Violetta", in reality Isabelle, daughter of the Comte d'Entraigues and prey of his sworn enemy, the Duke Henri de Guise. Pardaillan and Isabelle fall in love, and the valiant chevalier will not rest until the advent of King Henri IV.

A judge investigating police corruption finds that the deeper he digs, the more roadblocks he finds.

A film made up of four sketches. In Marc Allégret's Sophie, a naive high-school girl invents a love affair with her mother's lover. But it's a guitarist with whom she falls in love. In Françoise, by Claude Barma, a young woman returning to France after living in the United States has an affair with her best friend's lover. In Antonia, by Michel Boisrond, a middle-aged woman tries to convince her ex-lover that she still has many assets to seduce. In Ella, by Jacques Poitrenaud, a Pigalle dancer meets a man in a cab.

Alfred Mullanet, an unlucky player who lives on his wife's income, becomes in a few moments the object of interest of two thugs, Kruger and Mister K.

Unwilling to marry, Silvia poses as a maid in order to meet the man she is to marry incognito. This will allow her to study the character and behaviour of her fiancé. But the young man resorts to the same stratagem...

Guests gather for the porcelain anniversary of a couple. When another woman's husband leaves her in front of everyone's eyes, the anniversary-celebrating husband gallantly makes loves to her in front of the same people. Then a sexual and confessional free-for-all erupts, until one of the wives, repulsed, runs away.

A young man, Lagardère, discovers that a plot is afoot to assassinate the Duke of Nevers. He warns him and flees with his daughter, Aurore. Fifteen years pass. Lagardère has raised Aurore as his own, but her mother seeks her out and has her abducted by her men. With the help of two friends, Lagardère rescues the girl and confronts her kidnappers.

When Françoise introduced her fiancé to her parents, she had no idea that, during this family weekend, drama would enter this sumptuous estate, set up by her father for his second wife, the troubling Irène; so troubling, in fact, that she immediately set about conquering her daughter-in-law's fiancé... This doesn't faze her husband, Paul Brémont, the famous builder of Télébremont television sets, who is busy with his business and, above all, with the charms of his secretary. But it does seem to worry the house gardener, who is more than a little attached to his seductive boss (which makes Rose, the cook, sick with jealousy).

On the eve of the First World War, the inhabitants of a small village in Corrèze see a strange woman arrive: Cécile Brunie, a young teacher with original methods. Badly perceived from the beginning, the young woman tries as best she can to gather a whole class because since always the children are sent to the farm from their youngest age without being able to go to school. However, Cécile does not give up and decides to fight against ignorance.

Thia and Murelli, who live from car stunt shows, make ends meet by carrying out small burglaries. When Murelli's daughter, whom he has tried to keep away from his business falls in love with a young thug, her father feels he must help the couple by including the young man in a heist. Their scheme misfires and forces the group to set up a jailbreak, with unfortunate results.

Black and white unite and are confronted with hatred in two color-line-busting classics from the classic years of exploitation.

Font-aux-cabres is the name of an Andalusian village, benefiting the Commander of the Order of Calatrava, who supports Juana Beltraneja, the pretender to the throne of Castile, against the Catholic Monarchs. The Commander's tyranny is felt throughout the country, subjecting village women and girls to his whims by threat or violence. Laurencia, who dares to refuse him, is kidnapped on her wedding day, and her fiancé Frondoso is imprisoned.

After twenty-seven long months spent in Algeria, Frédéric Simon, a young photographer is determined to forget this time of trouble. Now that the Army has finally discharged him he wants to live the good life. And at first, things go according to his wishes: not only does he marry Sylvie but they are invited by a wealthy man to Monte Carlo, where they spend a dream honeymoon. But back in Paris, hard times await them. Not finding work easily along with having to live in a cramped apartment make Frédéric bitter and unpleasant. When Sylvie becomes pregnant, he slams the door and finds consolation in the arms of Christine, an ex girlfriend, which he soon regrets. At last, the situation improves. Frédéric finds work and starts making money as a fashion photographer. But the good life cannot go on: one morning a policeman knocks at the young couple's door: the country wants Frédéric back in the Army.

A well-known politician receives a tape showing her son in a porno movie. She decides to hire a female detective to figure out who is trying to blackmail her.

At Theater tonight is a TV show broadcasted from 25th August 1966 to 21st September 1985. The show is broadcast plays recorded in two or three days, during public performances at the Théâtre Marigny on the Champs-Élysées, or sometimes Edouard VII theater.

Les Cent Livres des Hommes (ORTF, 1969-1973) was a series of literary programs created by Claude Santelli and Françoise Verny, and produced notably by Santelli, Jean Archimbaud, and Serge Moati. Planned for one hundred episodes but completed at thirty-nine, the series aimed to introduce great literary works, 'chefs-d’œuvre', to a younger audience through a mix of dramatization, reading, and documentary techniques. It marked a transfer of cultural legitimacy from writers and critics to a generation of television producers, offering a new model of educational and creative literary broadcasting - 'télévision d’auteur'.

It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

A 3 part drama series about the notorious powerful Borgia family who took power in Italy in the 15th/16th centuries.

Lagardère is a French miniseries consisting of six 50-minute episodes, created by Marcel Jullian based on Paul Féval's novel Le Bossu (the eighth film adaptation outside of theater, out of 10 known adaptations), and some of the sequels imagined by Paul Féval Jr.1, directed by Jean-Pierre Decourt, and broadcast from September 20 to October 25, 1967, on the first channel of ORTF.