Roland Lesaffre

When a string of jewel robberies hits the French Riviera, suspicion falls on retired thief John “The Cat” Robie. To clear his name, he sets out to trap the copycat himself—entangling a wealthy widow and her beguiling daughter in a seductive game of pursuit, deception, and desire.

1944. Léon Duchemin owns a restaurant with his sister. His clients are Germans, Résistance et black marketeers. Léon unwillingly joins the Résistance when a British pilot is shot down and hides in his attic and, through a series of mishaps, he accidentally steals the plans for Hitler's V1 missiles.

At the end of the 19th century, during a ball in Joinville, on the outskirts of Paris, Georges, a former delinquent working as a carpenter, meets Marie, a young woman connected to a criminal gang.

Despite being busy with his profession of soldiery, Brantome manages to find much more time for amorous dalliances with the ladies of the 16th-century French court than for battles. Unfortunately for him, his true love, Victoire, is beyond his reach most of the time. He more than compensates for this in the arms of others.

When his wife leaves him, a young French actor, François Combe, moves to New York to work for a television company. One evening, he meets an attractive young woman, Kay Larsi, in a bar.

Victor Le Garrec, a former boxer, runs a gym in Paris while dreaming of finding an aspiring champion who will reach the goals he was never able to achieve.

Bob Letellier, a good looking rich kid who studies science, makes the acquaintance of Alain, a cynical and immoral young man. The latter introduces him to the existentialist circles of Saint-Germain-des-Prés. Bob is invited to a party and becomes Clo's lover, a rich heiress.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

A young duke marries a girl, also penniless, and moves into a bus left him by an uncle, with their ten children. At last he finds the bus is made of solid gold.

Aliens from the constellation Hydra crash-land on the island of Sardinia. A prominent scientist, his daughter, several young technicians, and a pair of Oriental spies are taken hostage by the beings so they can use them to repair their spaceship's broken engine. With that done, they take off towards their home planet, taking the earthlings with them. However, the humans attempt to mutiny against their captors, inadvertently sending their tiny spaceship hurtling into the infinite beyond...

Michel has stolen from his employer, Mr Bellanger, for the love of Juliette. He is now in jail. One night, while sleeping in his cell, he wakes up all of a sudden, the gates open and he finds himself in a strange village where all the inhabitants have lost their memory. There, meets Juliette again who seems to agree to marry a powerful man, who might well be Bluebeard...

Historical film directed and written by Sacha Guitry follows the the history of Paris from its founding through the significant events in the city's history.

Star-crossed lovers Thérèse and Laurent think they've gotten away with murder after Thérèse's weakling husband "falls" from a speeding train. But when forced to contend with a blackmailer's demands and the mute accusations of Thérèse's mother-in-law, it's only a matter of time before the law, their passion or blind chance trips them up.

Alain, "a young wolf", elegant and racy, is maintained by the princess Linzani. At the same time, he goes out with a girl of his age, Sylvie, who despite her bold attitude has never had a lover.

In Provence , Father Caillé runs a family pension backed by his daughter-in-law Cora and a maid. The old man persecutes Cora for her assiduity until the day when she, in a particularly violent confrontation, knocks him down before the eyes of Gino, an Italian pensioner of whom she is in love. The two accomplices will try to make up the murder.

A group of Italian soccer fans arrive in Paris for a match, but most of them go their separate ways to explore the sights, have a bit of an adventure, and maybe even find some romance.

Henri Chatelard is well into his forties, owns a restaurant and a cinema in the city, and appreciates women. When he meets Marie, an 18-ish strong-head who just lost her father in a small fishing village, it is not clear who is the hunter and who is the prey.

Yves Tréguier, a young orphan, escapes from a reform school in Brittany to join "Dédé la Glace" in Paris, an old-timer with whom he has a sincere friendship. The love of Zette, a young girl he has met, and the benevolent friendship of Father Blain, the bistro owner, give him the desire for regular work. "Jo le Grec", a pimp jealous of Dédé's friendship with Yves, seduces Wanda, a prostitute he loves, and shoots Dédé dead. Blain prevents him from doing the same to Yves, and shoots him in turn. Yves can live an honest life with Zette and the baby she's expecting.

Peplum movie from 1961

In a building close to the Place de la Contrescarpe in Paris, a tale of criss‑crossings in turn romantic, gourmet, interested or mystical, between an Italian gigolo and a nightclub hostess, a family of butchers and an apprentice rocker, a mystic tailor, a writer sending himself telegrams, an alert paralytic woman, a thoughtful concierge, a bird breeder and a just‑out‑of‑jail hooligan. Little by little each one discovers each other’s more or less troubled history… when a mysterious death introduces the Police within this huis clos, hastens disclosure of well‑kept secrets and ruffle this little World.

A judge investigating police corruption finds that the deeper he digs, the more roadblocks he finds.

Former student Raskolnikov is pushed to murder when struggling to pay the rent on his apartment. When the murder is being investigated by the police, Raskolnikov struggles between trying to hide his guilt and the pressure to confess.

Richard is a private detective. He makes a good money from marital infidelity: the deceived husband and wife generously paid him for proof of their infidelity "halves"...

In a small French village, an angel appears disguised as a beautiful young blond.

A talk show presented by Michel Drucker

The Return of Arsène Lupin (1989) is a French crime television series consisting of 12 episodes, each approximately 55 minutes long, broadcast on FR3 between November 1989 and January 1990. It features the famous gentleman thief created by Maurice Leblanc, played here by François Dunoyer, in a more mischievous and modern interpretation than his predecessors, which retains the hero's refinement and intelligence while immersing him in stories with international overtones, with a more contemporary tone for the late 1980s.