Zekeriya Hocalar

Hekimoglu Omer, who has been struggling to rescue the Numan Valley from evil since the beginning, eventually pressed the Kahya thoroughly to the corner. But of course Kahya and Dündar Bey will not retreat without making a final move. They are willing to take Hekimoglu with them when they leave. In the meantime, Aslan Bey leaves the house voluntarily.

The film depicts a world in which Atatürk never became leader, the War of Independence never took place, and the Ottoman Republic continues to exist in a form adapted to the present day. The continuation of the Ottoman Republic instead of the Republic of Turkey, Ankara not being the capital, signs and license plates being in both Turkish and Arabic, and the sultan wearing a suit under his caftan are some of the tragicomic situations that make up the film's story.

Berna, a theater artist, struggles for the sake of acting only for art at a time when popular culture is dominant. Meanwhile, during a visit to a museum on 'The First Women of History', she is very impressed by the hand-painted portrait of Afife Jale, the first Muslim Turkish actress to appear on stage.