Alexandre Rignault

Dr. Génessier is riddled with guilt after an accident that he caused disfigures the face of his daughter, the once beautiful Christiane, who outsiders believe is dead. Dr. Génessier, along with accomplice and laboratory assistant Louise, kidnaps young women and brings them to the Génessier mansion. After rendering his victims unconscious, Dr. Génessier removes their faces and attempts to graft them on to Christiane's.

In 17th-century France, beautiful country maiden Angélique marries wealthy neighbor Jeoffray de Peyrac out of convenience, but eventually, she falls in love with him. So when Jeoffray is arrested and then vanishes, she bravely sets out to find him. This is the first of many dramas based on Anne and Serge Golon's novels about strong-willed Angélique and her adventures during the reign of Louis XIV, the Sun King.

Exiled from the court of Spain, Don Salluste, the chief of police, wants to take revenge on the Queen. One day he meets Ruy Blas, a young student who happens to be a lookalike of Don Cesar, his nephew. Salluste disguises Ruy Blas and presents him as Don Cesar. It doesn't take long before Ruy Blas, intelligent, virtuous and generous as he is becomes popular and the Queen, who has fallen in love with him, appoints him Prime Minister. All seems for the best in the best of worlds but Salluste has not forgotten his revenge, far from that ...

Professor Henri Laborit uses three people's stories to discuss behaviourist theories of survival, combat, rewards and punishment, and anxiety: René is a technical manager at a textile factory and must face the anxiety caused by corporate downsizing; Janine is a self-educated actress/stylist who learns that the wife of her lover is dying and must decide to let them reunite; and Jean is a controversial career-climbing writer/politician at a crossroads in life.

Serenade represented the return to the screen of international favorite Lillian Harvey after an absence of two years. Based loosely on the life of composer Franz Schubert, the film casts Bernard Lancret as Schubert, Harvey as his dancer sweetheart, and Louis Jouvet as a possessive Baron who has his own designs on our heroine.

Salem 1692. The young Abigail, seduced and abandoned by John Proctor, accuses John's wife of being a witch in revenge. A series of tragic trials soon befall Salem as fear and suspicion blur the lines of reality.

Duke Philippe de Nevers is an influential and popular man who is married to a beautiful wife called Aurore. His rival Philippe de Gonzague hates him enough to organise an attempt on him. The Duke is accompagnied by Henri de Lagardère when de Gonzague's henchmen altogether attack him. Lagardère cannot save his friend because the both of them are hopelessly outnumbered. He has to escape in order to save the Duke's daughter and swears revenge. Together with his old buddy Passepoil he raises the little girl in Spain. At the same time he returns frequently to France where he detects confronts his friend's murderers and puts them to the sword one by one until only their former leader is left. Finally he discovers that Philippe de Gonzague is the man for whom he is looking.

Energetic priest Don Camillo returns to the town of Brescello for more political and personal duels with Communist mayor Peppone.

It's no holds barred for Julian in pursuit of upward mobility. Although expected to channel career aspirations into the Church of the post-Napoleonic era, his intensely romantic liaisons propel him forward at a pace he cannot control.

Don Camillo (now bishop) and Peppone (now senator) return to the town of Brescello and rekindle their friendly rivalry.

Fanfan is a young handsome peasant. He joins the army to escape marriage because a gypsy girl predicted he will get glory and the king's daughter as a wife. But the gypsy girl was in fact Adeline, the daughter of the recruiting officer. Once he has discovered the stratagem, Fanfan refuses to forget this dream and decides to fulfill the destiny of the fake prediction.

Boulevard focuses on Georges 'Jojo' Castagnier, an adolescent who lives in a poor room under the roof of a block of apartments in the Pigalle section of Paris. He ran away from home when he realized that his step-mother hated him from day-one. Among Jojo's many neighbors is the gorgeous Jenny Dorr , a nightclub dancer, whose lover he dreams of being. But, to Jojo's disappointment, Jenny becomes the lover of Dicky, a former boxer, who spends his time loafing about the Pigalle cafés. Jojo lacks for steady work, but manages to meet his financial obligations with a series of odd jobs. He tries selling magazines, which is a success for a while, though posing as Narcissus for two gay artists proves to be something of a disaster. Eventually, he woos Marietta, one of his other neighbors and a girl more suited to his age. But when things go really awry, Jojo becomes desperate and tries to commit suicide by jumping off the roof of his building

Two children run away from a Swiss boarding school and set out for Paris, with their frantic parents in hot pursuit.

Two scriptwriters argue about the fate of Henrietta, a charming and gamine shopgirl. One favors a comical path for their heroine, who is overcome with sentimental love for a young photographer on Bastille Day. The other has a more thrilling and dastardly fate in mind for her. Among the film's irresistible conceits is Hildegarde Neff as an oversexed circus bareback rider.

Peter is commissioned by William to rob an Amsterdam bank. He wants to find out who li is working for. With the help of Corinne, a young prostitute, he investigates and approaches the bank.

At the borders of the Saharan desert, the dramatic situation of a battalion of light infantry attacked by the enemy.

Originally titled Nous Sommes Tout des Assassins, We Are All Murderers was directed by Andre Cayette, a former lawyer who detested France's execution system. Charles Spaak's screenplay makes no attempt to launder the four principal characters (Marcel Mouloudji, Raymond Pellegrin, Antoinine Balpetre, Julien Verdeir): never mind the motivations, these are all hardened murderers. Still, the film condemns the sadistic ritual through which these four men are brought to the guillotine. In France, the policy is to never tell the condemned man when the execution will occur--and then to show up without warning and drag the victim kicking and screaming to his doom, without any opportunity to make peace with himself or his Maker. By the end of this harrowing film, the audience feels as dehumanized as the four "protagonists." We Are All Murderers was roundly roasted by the French law enforcement establishment, but it won a special jury prize at the 1952 Cannes Film Festival.

The story takes place in the racecourses around Paris. A so-called major sells his tips to naive characters.

In Paris, in 1942, on a Thursday, the Parisian police herded together some 13,000 Jews for deportation to German territory. In this story, Paul (Christian Rist) is a teenager who tries to prevent this from happening. At first he attempts to save two elderly Jews, but they are resigned to their fate and comply with the order to assemble. For a short while, he is able to keep Jeanne (Christine Pascal) from joining them, but, after a long and strenuous day, she finally escapes from him he is too tired to chase after her.

Three friends leave their village for a retirement home travelling the countryside

This murder mystery is set in a Parisian cafe and examines the mysterious murder of a famed journalist and extortionist who is killed at his table in the cafe. Though the prime suspects are gathered together( including his wife and her lover, the gun-runner, the creditor, and a playboy) and all of them have motives, none of them did it. So whodunit?

Junior doctors do their first internship in a big hospital in Paris. A mandarin position is to take.

Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital.

An old lady is far from suspecting everything that is going on behind her back, in particular what her servants are up to.

Molière pour rire et pour pleurer recounts the life of Jean‑Baptiste Poquelin, from his childhood in an artisan family to his rise as Molière, a central figure of French theatre. The series shows his difficult decision to abandon the family trade and join Madeleine Béjart to found L’Illustre Théâtre, marked by debts and repeated setbacks. While touring the provinces, he shapes his style and discovers the power of comedy. Back in Paris, he makes a name for himself with Les Précieuses ridicules, but his sharp satires provoke fierce opposition, especially during the Tartuffe scandal. Supported by Louis XIV, he continues despite attacks, literary rivalries, and tensions within his troupe, particularly with Armande Béjart. The miniseries also follows his growing exhaustion, his determination to perform at any cost, and his final breath after Le Malade imaginaire, the ultimate symbol of an artist who lived — and died — for the stage.

It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

During World War One, in a small rural French village far away from the front, a gamekeeper and his wife take in children displaced by the war.

The World War I is declared. The french pioneers of aviation are requisitioned, but they try to renew with the spirit of chivalry.