David Zelina

Featuring music from her fourth studio album produced by Trent Reznor and Atticus Ross, this evocative film experience stars Halsey as the young and pregnant Queen Lila, who wrestles with the manipulative chokehold of love.

Bigfoot... Sasquatch... Some legends never die... They Kill!

This is the story of Alice Fuller (Amy Shelton-White) struggling to come to terms with her past in order to embrace her future. Shot almost entirely in and around Estes Park, Colorado, the film follows Alice as she is forced to spend one final week at the family cabin with her hedonistic mother (Elizabeth White) and underachieving brother (Lee Shelton). Plagued with repressed memories, anger and guilt, Alice finds it impossible to connect with those around her, including her boyfriend, Jake (David Zelina) who is looking to start a family of their own. Only after summoning the courage to look within herself, accept her own role in the family dynamic and face the past head on, can Alice hope for a loving and functional future.

College mischief spins out of control unleashing a horrifying scarecrow who terrorizes a resort town during Spring Break.

Raising the subtext of "Fight Club" into text, "Shiner" depicts a pair of amateur boxers gratified by punching each others' lights out. Theirs is among a trio of twisted love stories in the narrative feature by 29-year-old Los Angeles director Christian Calson. There's also a woman literally fighting her male lover's affections and another boxer who stalks his own shy male stalker. "Shiner" transcends sadomasochism in that no one seems aware of what he or she is doing. "I'm trying to look at desire head on," the soft-spoken Calson said by telephone. "('Shiner') is about the politics of wanting and being wanted and how people respond differently." Rife with ugly behavior, "Shiner" rejects the trend of queer filmmakers seeking straight understanding. "In L.A., we have this kind of sadness we carry around, that the only way we can make gay stories is by making more like 'Will and Grace,' " Calson said. Like the activist-filmmakers tackling the marriage issue, Calson went into "...

Set in 1960-1970 New York, this sexy, stylized and provocative drama follows the lives of the ruthlessly competitive men and women of Madison Avenue advertising.