Kester Dixon

A young sailor learns that his friend has died of a heroin overdose. He watches the 8mm films he has made of his friend and discovers that he keeps the world at a distance from behind his camera.

Theo van Gogh yearned for love, attention and freedom. How do his family, colleagues, friends and enemies view the radical way in which he worked and lived? And, twenty years after the murder of Theo van Gogh, how do we relate to the discussions he sparked at the time?