Guillermo Montesinos

After being dumped by her lover, Pepa finds her life and the lives of those around her spiraling out of control in a deliciously chaotic series of events.

Spain, 1982. Andrés Expósito, a young police inspector, accepts a posting in Denia, a small town on the Mediterranean coast, in the hope of leading a quieter life and that the natural environment will help improve the fragile health of his daughter; but once in his new post he becomes involved by chance in the investigation of the strange death of the inspector he has come to replace.

Remake of the tale of an acclaimed matador who finds himself involved with a beautiful woman, jeopardizing both his marriage and career.

In the post Spanish civil war years, Catalan kids would sit in circles among the ruins and tell stories, known as "aventis" (the film's original title in Catalan, its original language). These tales mix war stories, local gossip, comic book characters, fantasy and real events. The "aventis" told in this film are told in flashback. In the mid 80s, 45 or so years after the age of the "aventis," a doctor and a nurse-nun (who grew up together, and now are co-workers in a hospital) identify the corpse of one of the main characters of the "aventis" of their childhood and adolescence. Besides the interesting flashbacks - a chronical of the Civil War in a "typical" Barcelona microcosm itself, the discovery of this body (belonging to someone long presumed dead) leads to other surprises and unresolved doubts, several decades later

In the early Spanish Civil Post-war, in Madrid, during the most hard times of the Franco dictatorship, a group of second-rate players try to get out of their wretched lives taking advantage of the artistic caprices of the son of a rich man who supports the regime. They try to stage a Pre-war 'zarzuela' (a sort of Spanish operetta), 'La Corte Del Faraón', which ironically, thirty years later, is too obscene for the regime censorship. They finally manage to perform the 'zarzuela' but end up in the police station where they confirm that justice depends on which side are you on

The frustration and vital weariness of Michel des Assantes, a prestigious plastic surgeon in Paris, is unbearable: he has a wife whom he does not love, a son who is foreign to him and friends whom he despises but, at the same time, he is incapable of taking his own life. One day, he buys a bike from a bizarre cyclist who was to make the Paris-Timbuktu route and sets out to make the journey: then, Timbuktu becomes for him the Promised Land.

In this Spanish comedy, a couple’s attempt to find a surrogate mother leads to a whirlwind of humorous situations and misunderstandings. Directed by Mariano Ozores, the film explores the unpredictable twists of family life and the lengths people go to fulfill their dreams.

Osa de la Vega, Cuenca, Spain, 1913. Gregorio and León, employees on the estate of the village's mayor, a powerful landowner, are arrested and accused of the murder of José María el Cepa, a shepherd who mysteriously disappeared three years earlier.

Adapted from the novel by Juan Marse, the film shows two distant worlds in the Spain of the 50's, the suburban and the bourgeois, which are related through two characters, Manolo Reyes, vulgar motorcycle thief who aspires to escape poverty and Teresa Serrat, university student of bourgeois extraction seduced by the revolutionary cause.

During the Spanish Civil War a platoon of mismatched Republican soldiers cross the front-line to steal the bull that the enemy is going to fight on the local holiday of the nearby village. In addition to ruining the Nationalist faction's celebration they want the animal in order to butcher it and feed their famished troops. They get caught in the process and have to go through a series of funny and pathetic incidents before they can get back to their side.

Julia decides to leave the hospital hastily to spend the weekend with her lifelong friends in a house filled with shared memories; they prepare to celebrate as if there were no tomorrow. Meanwhile, Julia has to make an important decision.

Simplicio is an eight years old boy who lives in an old boat abandoned and stranded on a coast.

She wanted to be rich, to have lovers, to go to Barcelona: but Montserrateta had to make do with living in a village in the Pyrenees, with her boyfriend, and milking cows on her parents' farm, until one day, she finds a lottery ticket.

A woman nearing her forties, Andrea Soriana, has always pushed aside personal questions and romantic relationships in pursuit of professional success. Now a major illness forces her to reconsider her life--work, family, friendships, men-- causing a psychological and emotional crisis pushes her toward a drastic decision.

Teodoro, a Spanish engineer working as a professor in the United States, returns to Spain to enjoy a sabbatical year.

Pablo and Fernando, owners of a children's book publishing company about to go bankrupt, have managed through unorthodox means to contract the country's best-selling author, Adela Mora. The evening of the official signing, Paco asks his friend to let him use his house for a love tryst while Fernando wines and dines Adela. At the same time, Paco's wife, Carmen, will be taking her lover to Rosa's house. From here on the rout begins, as Paco tries to get rid of Silvia, his secretary, and Carmen, her husband. Fernando thinks Rosa is cheating on him with Oscar, who thinks Fernando is gay and having an affair with his partner, while the soldier thinks his girlfriend is a professional...

Just when normalcy seemed to have returned to the Valencian town of Favara with Visanteta's marriage, tragedy strucks and she's widowed. To avoid the wrath of Saint Barbara after Visanteta's honor is threatened, they seek her a husband, but none lasts for long.

A couple's children bring a magic ball, which allows them to bring snowmen to life, to a Christmas mountain chalet holiday.

After the death of Franco, the nostalgic fascist regime attempts to preserve the 1936's order.

A look at the Aragonese countryside, star of the movie screen, accompanied by various trades of cinema.

A film buff can't watch his videos in peace as he is disturbed by his clingy girlfriend and noisy neighbours. He will take drastic measures to get them to shut up for once and for all.

Recounts the experiences of a middle-class family, the Alcántaras, during the last years of the rule of Francisco Franco and the beginning of the Spanish Transition to democracy.

La que se avecina is a Spanish television comedy created by Alberto Caballero, Laura Caballero and Daniel Deorador. The TV-series focusing around the inhabitants of Mirador de Montepinar, a fictional building located on the outskirts of a big city. Both its storylines and cast are heavily based on Aquí no hay quien viva, which ended when Telecinco bought Miramón Mendi, the series production company. The episodes debuted on the Telecinco network, and were later rerun by the same network as well as cable/satellite channels FactoríaDeFicción and Paramount Comedy. The series debuted in 22 April 2007 and became popular thanks to its funny characters, witty script, use of catchphrases and capacity to integrate and poke fun at contemporary issues; the program presents a caustic satire of many of the 'types' found in Spanish society. The name of the show involves wordplay, as "vecina" is the Spanish word for neighbour.

Pedro, Luis, Raúl and Santi are four friends who feel a bit lost in the new world of empowered women, each trying to adjust in their own haphazard way.

'L'Alqueria Blanca’ ('The White Village') proposes a journey through time, up to the 1960s, which reflects the life of an inland village, in the Alcoià county. The atmosphere is eminently rural and is marked by the great differences between the two most representative families of the place, the Falcó and the Pedreguer, who star in a series of stories with love above the class difference, envy, jealousy and scandal. It all comes down to some unstoppable advances in society.

Spanish miniseries.

Biography of Cardinal Tarancón, a key figure during the Transition period due to his efforts to reconcile the "two Spains." The assassination of Luis Carrero Blanco by ETA on December 20, 1973, prompted the cardinal to leave Madrid after receiving death threats. Once far from the city, Tarancón recalls what his life was like as a young priest on the run during the Civil War (1936-1939).