François Darbon

The third in a series of films featuring François Truffaut's alter-ego, Antoine Doinel, the story resumes with Antoine being discharged from military service. His sweetheart Christine's father lands Antoine a job as a security guard, which he promptly loses. Stumbling into a position assisting a private detective, Antoine falls for his employers' seductive wife, Fabienne, and finds that he must choose between the older woman and Christine.

In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men's lives, and soon Valjean finds himself in the midst of the student revolutions in France.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

Love at Twenty unites five directors from five different countries to present their different perspectives on what love really is at the age of 20. The episodes are united with the score of Georges Delerue and still photos of Henri Cartier-Bresson.

A beautiful 18-year-old orphan escapes from a reformatory and hooks up with a gang of jewel smugglers, and decides on a life of crime. However, she falls for and marries a policeman, putting a crimp in her criminal career.

Géo Paquet, aka The Gorilla, breaks from jail. Now an escaped convict, the elite agent must infiltrate a dangerous gang working for a foreign embassy as their leader, a spy enjoying diplomatic immunity, can't be arrested by regular police.

An upper-class corporal is captured by the Germans during their 1940 invasion of France. Assisted and accompanied by characters as diverse as a morose dairy farmer, a waiter, a myopic intellectual, a working-class Parisian, and a German dental assistant, the corporal tries to escape from prison camps, sometimes making it a few yards, sometimes reaching the border.

A lovely young nurse finds herself framed for the murder of a hospital patient who died after she administered an injection.

A trucker encounters a dead body on the road home. He reports the incident to the police, who suspect that Jean was responsible for the death, and his new truck is impounded. To make matters worse, the man's widow accuses him of having robbed her husband, and a gang of sinister crooks are also harassing him.

Pursued by a rival gang after a violent robbery, Toni escapes with nearly thirty million francs. On the train to Paris, to avoid arousing suspicion, he has no choice but to threaten an honorable philosophy professor, Justin Mignonnet, with his gun, so that he will carry the loot for him. To make sure he returns the money, he takes his papers and makes him promise to be present at the exchange appointment at the Pigalle Hotel the next day. Completely lost, Mignonnet decides to obey orders, but just as he is about to return the money, a young woman, a member of the enemy gang, comes to collect it.

Determined to assert his paternal rights, Quentin leaves his small village on the Swiss border to go to Lyon to look for his daughter, now a hairdresser, who, busy with her work, hasn't been back to the village for two years. In a few days, it will be Denise's birthday, the youngest of his daughters, and, urged on by his wife, he sets off, determined to bring the prodigal son back to the family celebration. But Denise is now living off her charms.

The Secret Service abducts a "rocket scientist" to better protect him against gangsters acting for Chinese agents.

A historical television film directed by Jean‑Dominique de La Rochefoucauld, Richelieu, or The Day of the Dupes recounts the political tensions that came to a head in November 1630, when Marie de’ Medici attempted to remove Cardinal Richelieu from power. Blending court intrigue, the king’s illness, and decisive reversals, the film portrays the struggle for influence that ultimately cemented Louis XIII’s trust in his minister. Led by Didier Sandre, Patrick Raynal, and Dominique Blanchar, the telefilm offers a meticulous reconstruction of the events that shaped the kingdom’s balance of power.

Sweet Virgil believes himself to be a victim of the same bad luck that has pursued parents, grandparents and ancestors before him. Terribly complexed by this misfortune, he nevertheless awkwardly tries his hand at journalism, supported by a charming editor. By chance, he comes face to face with the thundering gangster Esposito. In this cat-and-mouse struggle, the mouse wins. Esposito is arrested and Virgil is rid of his inhibitions forever.

Clement Mastard is the head of a leading journal dedicated to extravagant vaudeville. An unexpected contract requires him to reconnect with his former headliner Celia Bergson part to try to avant-garde theater. It is through this that he met Johann Sebastian Bloch, misunderstood musician who cause the loss but the side which Mastard, the man without scruples, to humanize and eventually produce a real masterpiece, the Missa Solemnis

Brigadier Le Gouce and Private Flicot lose their horses during a campaign in Italy. To avoid looking ridiculous, the two hussars cross the country in search of their mounts. But when they are mistaken for deserters, their regiment gives chase.

The tale of the famous vendetta, vengeance over the years between two families. For nearly nothing at the start, as always with Sicilians or Corsican people, from the underworld or not...

Police officer Antoine Delille is in charge of putting an end to the activities of a "kingpin", Jo Pinelli, trafficker, racketeer and pimp. He has three women working for him, including Eva and Jeannette, and is currently "conditioning" a charming, naive Orly employee, with whom he poses as an honorable businessman. Inspector Delille's plan is to arrest Jo for some crime and, while he's being held at the P.J., to delve into his other criminal activities and confound him.

On the shores of Aulis, the Greeks prepare to attack Troy. But their ships are unable to set sail because the gods are holding back the winds necessary for departure. Agamemnon consults the oracle. The solution is tragic. To appease the goddess Artemis, whom he had offended, he must sacrifice his own daughter.

The idyllic life of a beautiful gypsy girl is shattered when she runs away from a pre-arranged marriage to a member of her tribe. Away from the safety of her people, she encounters bigotry against her kind. A little girl feels sorry for the missing gypsy beauty and searches for a magic root that can cure the wandering gypsy from her wanderlust and bring her home again. Music, dance, ancient gypsy rituals, and colorful European scenery highlight this feature which takes a decidedly jaundiced view of the racial indignities suffered by the heroine.

A young priest works as a barman in a Pigalle cafe in Paris. He tries to prevent the women there to prostitute themselves....

As the outbreak of the Third World War commences, government members of France start hiding in a bunker.

During the Second World War, in 1943, two French prisoners, François and Michel, escape from Stalag B377 in northern Germany near the Baltic Sea. They meet another escaped compatriot, Pierre, who has donned the uniform of a German officer and joins them. Their goal: to reach neutral Sweden. To get there, they'll have to walk part of the way, then take a train to the coast and, from there, find a way to cross the sea to the shores of Sweden.

Valuable documents have been stolen from a British laboratory. Slim Callaghan is sent to investigate the theft. But his tracks soon lead him to the welcoming skies of the Côte d'Azur. There, he decides to infiltrate a network of aristocratic spies.

Graf Yoster gibt sich die Ehre [French title: Le comte Yoster a bien l'honneur] is a TV series which followed the adventures of the title’s amateur gentleman detective. It was a success in particular in Germany and in France. Originally the show was a German production in black-and-white but it evolved into a European co-production in colour.

It is the start of the 14th century and Philip IV the Fair reigns supreme over France. His three sons would rule after him. Isabelle, his only daughter, is married to King Edward II of England. Under Philip's reign, France is great but its people are unhappy. Only one power dares to stand up to him: the order of the Knights Templar. When the last Grand Master of the Temple, Jacques de Molay, is burned at the stake, he curses Philip and so begins a dark period, full of blood and violence, death and tears ...

A live-action six-part West German/French adaptation of Robert Louis Stevenson's classic adventure novel. Although not directly faithful, it is a highly liberal and stylised re-imagining that blends the pirate adventure with the popular genre of the time: the Euro-Western. In place of the novel's 18th-century setting is a distinct 19th-century 'Wild West' with cowboy style wardrobe and firearms. The central premise remains: a young man, Jim Hawkins, comes into possession of a treasure map and embarks on a voyage to a remote island.

A French two-parter about a famous American trial - that of Julius and Ethel Rosenberg, who became the first people in American history to receive the death penalty for espionage.