Fabrizio Gifuni

After a fateful encounter in the summer of 1966, the lifepaths of two brothers from a middle-class Roman family diverge, intersecting with some of the most significant events of postwar Italian history in the following decades.

The story of Edgardo Mortara, a young Jewish boy living in Bologna, Italy, who in 1858, after being secretly baptized, was forcibly taken from his family to be raised as a Christian. His parents’ struggle to free their son became part of a larger political battle that pitted the papacy against forces of democracy and Italian unification.

The destinies of two families are irrevocably tied together after a cyclist is hit off the road by a jeep in the night before Christmas Eve.

Turin, 1969. Nine-year-old Massimo’s idyllic childhood is shattered by the mysterious death of his mother. The young boy refuses to accept this brutal loss, even if the priest says she is now in Heaven. Years later in the 90s, adult Massimo has become an accomplished journalist. After reporting on the war in Sarajevo, he begins to suffer from panic attacks. As he prepares to sell his parents’ apartment, Massimo is forced to relive his traumatic past. Compassionate doctor Elisa could help tormented Massimo open up and confront his childhood wounds…

After having successfully eluded the authorities for years, Hannibal peacefully lives in Italy in disguise as an art scholar. Trouble strikes again when he's discovered leaving a deserving few dead in the process. He returns to America to make contact with now disgraced Agent Clarice Starling, who is suffering the wrath of a malicious FBI rival as well as the media.

The rise and fall of the pirate mixtape empire of three brothers from Naples, Italy, during the '80s.

Three well-off young men—former students at Rome’s prestigious all-boys Catholic high school San Leone Magno—brutally tortured, raped, and murdered two young women in 1975. The event, which came to be known as the Circeo massacre, shocked and captivated the country, exposing the violence and dark underbelly of the upper middle class at a moment when the traditional structures of family and religion were seen as under threat.

To rescue his daughter, an unstable Special Forces veteran unleashes his inner beast as he pursues her kidnappers — and soon becomes a suspect himself.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art are constantly refracted and intermingled to the point where they become one.

A well known judge comes back to his native region, Salentino in the South of Italy, to find out that his old friend is dead and the woman he loved is now working for a crime organization.

On December 12, 1969, a bomb kills 17 people at the Piazza Fontana national bank in Milan, Italy, marking the beginning of the Years of Lead. Local anarchists are scapegoated for the massacre by police and the media, but a lone prosecutor uncovers a conspiracy of far-right groups, corrupt secret services, and other interests that seek to undermine democracy.

The relations between Parma and cinema were so strong for almost the whole of the twentieth century that this city became an early laboratory of ideas and theories on cinema and a set chosen by some of the greatest Italian authors and beyond. Furthermore, a considerable number of directors, actors, screenwriters and set designers were born in Parma who have made their way internationally, testifying to the fact that in this small city in Northern Italy there was a decidedly cinematic air. Red armchairs takes up the thread of this story, wondering why, unique among the Italian provincial cities, Parma has given so much to the cinema, accompanying the viewer on a journey backwards that from the first projections of the Lumière cinema reaches the ultramodern experience of new multiplexes. During this journey we will meet the characters who created the conditions for this diffusion of cinematographic culture in Parma.

During research for a series focused on the greatest scientists of the past, a TV producer, following a hypnosis experiment, finds herself catapulted into the 19th century, participating in the last years of Ludwig Van Beethoven's life.

At the end of the 1950s in Africo, a small village in the southern valley of Aspromonte, a woman dies in childbirth because a doctor fails to arrive on time. No road connects Africo with the other villages. In the wake of this tragedy, all of Africo’s citizens -including children - abandon their usual occupations and unite to build their own road. Giulia, the new schoolteacher, comes from the North with a mission to teach standard Italian to help bring cultural cohesion with Africo and the rest of Italy. But she will have to contend with the local mafioso Don Totó, who is determined to ensure this the town remains cut off, and thus, under his power.

A cop investigates the murder of a beautiful teen girl left naked by a lake.

Cecilia is a commoner who runs an inn, where the specialty is the "spaghetti alla carbonara". Moreover, the woman is tied to the movement of young patriots, named "Carbonari", who want a united Italy, and are struggling against the power of the pope. Cecilia believes she lost her husband in a fatal accident, and has made a new lover: Fabrizio, who is also a patriot. One day the guy's saved by a monk, when he is about to be imprisoned by the soldiers of Cardinal Rivarola. The monk is the husband of Cecilia, not dead in the accident, and now he helps her to fight against the power of Rome with the Carbonari.

Time jump to 1939 with teenager Max and his friends as they try to navigate Mussolini's Rome and find Max's missing brother.

The 1978 kidnapping and assassination of former Italian Prime Minister Aldo Moro by Red Brigades terrorists.

A whirlwind of activity sweeps us into the daily routine at the Archaeological Museum of Naples.

For ten years, immigrant Tobias has worked at a Swiss clock factory and, in the relentless ticking, he saw life go by without much expectation. One day, he sees Caroline, a former schoolmate from back in Eastern Europe, and falls in love with her, but she's married and has a daughter.

Nino and Caterina have been married for 65 years. After Caterina's death, their daughter Elisabetta, trying to help her father to overcome the loss, hires an author to write a book on their love story.

When the most important friend in her life seems to have disappeared without a trace, Elena Greco, a now-elderly woman immersed in a house full of books, turns on her computer and starts writing the story of their friendship.

Boris is an Italian television series created by Luca Manzi and Carlo Mazzotta, initially produced from 2007 to 2010, with a revival season premiered in 2022. The show brings to the stage the behind the scenes of a television set where a troupe is shooting Gli occhi del cuore 2 (The eyes of the heart 2), a satirical portrait of the many fictions airing on the Italian TV networks.

Italy, March 16, 1978. Aldo Moro, president of Christian Democracy, the ruling party, is kidnapped by the extreme left-wing terrorist gang Red Brigades. While the criminals put him on trial and condemn him, the Italian government and Pope Paul VI pull their twisted strings to save his life.

A family saga set in Italy which chronicles the life of a middle-class family. It explores the relationship between two brothers Nicola and Matteo as their life paths separate during youth, encompassing major political and social events in post–World War II Italian history.

In the early '80s, Enzo Tortora is one of the most beloved figures on Italian television. But in the midst of Italy's war against organized crime, Enzo's life is upended when he's falsely connected to the notorious Camorra criminal ring.

C'era una volta la città dei matti... is Italian television film of two episodes.

In August 1954, Alcide De Gasperi, now at the end of his personal and political career, left the Christian Democrats' headquarters in Rome and visited his daughter, Lucia, a nun. He revealed to her that he had definitively retired from active politics and was leaving for Sella for a period of rest, necessary for his precarious health. Upon arriving in Sella, where he was reunited with his family, the statesman and his grandson Giorgio went for a walk in the mountains, and there, prompted by the boy's questions, he began to recount his life story, an often painful journey down memory lane.