Selim Can Yalçın

A young boy abducted from a wealthy family grows up on the streets, forming a tight bond with other street children as he survives hardship and violence. Years later, he is unexpectedly reunited with his biological family, forcing him to navigate two completely different worlds. Torn between his past identity and new family ties, he fights to reclaim his place while confronting betrayal, class conflict, and emotional wounds.

The series follows the story of three siblings of a sick parent: two obsessive daughters – Safiye and Gülben and one son – Han, who has devoted his whole life to catering to his family's needs, shuttling tirelessly between work and home. One faithful day, Han's world will change as soon as he sees and immediately falls in love with İnci. For the first time in his life, Han will seek out his own happiness.

Tuzak tells the story of three siblings Mahir, Umut and Umay whose springs of life were taken from them. Who is bad, who is real, who is fake? In such a mixed-up world, three siblings Umut, Mahir and Umay who came together for a common purpose, find out that they don’t have the bond they thought they had. On the other hand, Güneş, Güven and Mete are the siblings, each one of whom believed that their father’s approval and their comfortable lives were more important than each other. Umut, as he is taking revenge from this family he hates, he goes through his biggest conflict thanks to Güneş, the girl whom he believes to be the love of his life with each passing day. Güneş doesn’t know the real identity and purpose of Umut whom she knows as a dirty lawyer Çınar Yılmaz. She will entrust her family’s and her own future to this man whom she falls in love with...

Veli Tanyeli, who died after a heart attack, is brought to the ghusl room before his burial, all the conflicts that have been hidden amongst the family came into light. Nermin, who has been imprisoned in an unhappy marriage for years, decides to settle the years after the death of her husband Veli in the ghusl room. Nermin's confrontation with Veli is actually a confrontation with herself.

In 2016, a film crew begin the shooting of a documentary called The Women in Purple that investigates the rapid increase of violence against women in Turkey, where more than two women lose their lives every day. Hunting a story of a victim of domestic violence, the members of the crew become victims themselves, hunted within the story, leaving only their footage behind.