Nídia Roque

Lisbon, 1980s, Rosa, a woman joins a group of young people disappointed at the post-Revolutionary Portugal. Part of a far-left clandestine armed organization, they share political views and a daily life that makes them grow closer. But their idealism collides head-on with a changing country and a large-scale police operation targeting them. Fleeing on a road with no return and no way forward, their existence is made up of bank robberies, bombs, friendships, prison, love and death. Trapped, their only choice is to keep on the run until they get arrested or killed.

Luis Miguel Cintra, renowned actor, stage director and director of the Portuguese theatre company Teatro da Cornucópia, staged the play Illusion in early 2014. This play was based upon texts by Federico García Lorca. However, the 119th company's show was no ordinary show, for in the cast there were 59 non-actors, amateurs and theatre students.

Obsessed with questions about his past, a bankrupt, white Brazilian filmmaker undertakes an epic journey from Brazil to Mozambique and Portugal. This melancholic fable mixes animation, live-action, voice-overs, genres, and continents to explore Brazil's colonial past.

Ramiro is a bookstore owner in Lisbon and a poet in perpetual creative block. He lives, somewhat frustrated, somewhat conformed, between his shop and the tavern, accompanied by his dog, his faithful drinking companions and his neighbors: a pregnant teenager and her grandmother recovering from a stroke. He would gladly continue living this quiet and somewhat anachronistic routine if events worthy of a soap opera did not invade his bubble.

When a sudden gust of wind sends her scarf flying out the window, Ema leaves her post to retrieve it. But this gesture sets in motion an absurd journey, as her compliant coworkers repeatedly try to hold her back. Feeling increasingly isolated, Ema longs to fit in, but refuses to fully surrender to the absurdity of the situation.

A historical fiction series that, from the biographies and cultural and civic intervention of the poet Natalia Correia, the editor Snu Abecassis and the journalist Vera Lagoa (pseudonym of Maria Armanda Falcão), recalls the last years of the Estado Novo (Second Republic) - 1961 to 1973 - from the beginning of the colonial War to the eve of the April Revolution.

The plot addresses Maria Luísa's struggle for freedom, the struggle for rights and privileges that, at the time, were reserved almost exclusively to men. Maria Luísa decides to assume a false identity - that of a man.