Attila Hörbiger

An enhanced and sentimentalized story of love, honor, rivalry, and retreat. The traditional laws of the patriarchal environment and severe conflicts of the heart. The action takes place in Herzegovina and Stolac, Bosnia. The film depicts the Bosnjak from a German point of view.

A love story between a simple peasant girl (Holt) and a dashing young officer (Sym), who however doesn't see more in her than a temporary affair.

In a cosmopolitan city vaudeville theatre, meeting place of the most successful artistes, the art shooter gets in suspicion to have committed a murderous poster on his jealous partner. - Not particularly successful mixture of vaudeville theatre numbers, artiste's destiny and crime film tension, on an average produced and played. A production rotated in Budapest with the popular dancer La Jana.

Princess Dagmar's life is boring, so depressed - so depressed that the doctor has to come. And the doctor advises: The girl must get out of the regulated aristocratic everyday life. Princess Dagmar is sent to a girls' boarding school, located on a farm, where everyone studies hard and gets stuck in and eats simple, healthy food. In keeping with the surroundings, Princess Dagmar also falls in love with a tough country boy. He is determined to found a school where individual boys are welded together in camaraderie - so that they can find the values that will enable them to fulfill their leadership roles in the world of tomorrow. Of course, Princess Dagmar will entrust her son to him one day.

As Fraulein Leander prepares for opening night, her life is thrown into turmoil by a variety of romantic misadventures. But she manages to show up on stage at the appointed time, scoring a huge success.

A drama about marriage in a small town, which takes place at the turn of the 19th into the 20th Century.

The engineer MacAllan designs a tunnel, which will join America and Europe together on the seabed. A group of American billionaires are financing the gigantic project, but the construction of the tunnel is proving to be as tedious as it is dangerous. MacAllan's worst enemy is the speculator Woolf, who had embezzled the money for the construction and who is attempting to cover up his crime by carrying out acts of sabotage. Also filmed in 1933 in a French-language version, LE TUNNEL, and remade in 1935 in England as TRANSATLATIC TUNNEL.

Silo is a bum; but he's a bum whose beloved by all and one day, he is found wounded on the banks of the Theiss. Fishermen take him back to the village and Maria, Alexander Renka's young wife, cares for him until he gets better. Silo's wound heals, but he decides to stick with the fishermen to find out who the intended target for the stabbing knife really was (for who would stab a beloved bum?). Maria's husband is acting really strange. He is away from home often and can be found very often near the hut of the gypsy Panna, who can allegedly bewitch any man she pleases. Maria is convinced from her womanly intuition -- never mind asking -- that her husband is doing the dirty with the gypsy and decides to abandon him and the town she lives in. With her brother, she returns to her homeland, the steppe. That same morning, Alexander Renka is found dead on the riverbank and he's been stabbed, too.

This ethereal, three-hour biopic starring Helmut Käutner as the writer Karl May interprets «a German hero's life» and thereby paints a picture of an entire era.

The conversion of a pedantic family tyrant into an understanding husband and father.

In 1756, a masked ball was officially celebrated in the Dresden Palais of the Saxon Minister Heinrich von Brühl. Unofficially, however, talks are taking place with the envoys of Austria, Russia and France with the aim of conspiring against the Prussian King Frederick II. The Prussian envoy, Major von Lindeneck, succeeded in bringing a copy of the concluded secret treaty to the Prussian king. Friedrich consults with his generals, who urge caution. Friedrich is stunned by the reaction and now develops a counter-plan. To do this, he sends von Lindeneck back to Dresden. However, the latter is not very enthusiastic about this, as he thinks he has reason to doubt his wife Blanche's marital fidelity, and he now has to leave her alone.

A Nazi propaganda film which aims to justify the invasion of Poland by portraying the plight of ethnic Germans in Poland who were discriminated against and oppressed by the Poles, and how they were saved by the intervention of the German army.

Ever since Rappelkopf was once deceived by a con man, he has become the epitome of a suspicious, stubborn misanthrope and a family nuisance. His wife and daughter, as well as his servants, suffer from his bad moods, accusations, and insinuations. The kind, alpine mountain spirit Astragalus, the King of the Alps, wants to rescue the grumpy man from his constant discontent and misanthropy. He promises to remedy his situation and makes Rappelkopf an offer he cannot refuse: he is to become his alter ego, to slip into another, better form. In the guise of his brother-in-law, the tyrant is to visit his family to convince himself of their loyalty and love. The King of the Alps, in turn, wants to appear as Rappelkopf, the living mirror of the true family despot, in order to morally purify him through self-knowledge.

When a female violinist joins an otherwise all-male musical quartet, the other members struggle to cope.

An emancipated Princess, who has just returned home to her court in the Balkans from England, goes in disguise to a servants’ bal and falls in love with an alleged caterer, who turns out next day to be a lieutenant of the guard. Without letting on to her masquerade, she makes sure he climbs the ranks quickly. At the same time, she tries to thwart her engagement to an unpopular prince.

Ten years after the end of World War I, Austrian soldier Franz leaves Russia and returns to his village, where he is reunited with Frieda, a woman who believes he is her long-lost son. She seeks him out and greets him with such loving joy, that Franz doesn't have the heart to tell her the truth. He stays with her and when he gets to know his new girlfriend Annie, he begs her to hide his true identity from Annie. Annie, for her part, has seen through this charade already, but chooses to say nothing and to continue to care for Franz.

The last ten years in Karl May’s life. A man fighting for his work, which lets him become an iconic figure of his time.