Mahmud Alam

A touching story of a simple man caught up in the terror of 1971 Bangladesh.

To please the God, one religion must worship her, another must kill her. To save one life, one must sacrifice another. Mohesh, a beloved cow owned by a poor Hindu villager, is prayed to as a God. When she has to be sold, her new owner sacrifices her in the name of God. A neorealist film, shot on location in rural Bangladesh, featuring both professional and non-professional actors.

‘The Golden Wings of Watercocks’ is a feature film based on the lives, livelihoods and battle for survival of the marginalized peasants and landless farmhands, living in the haor (marshland) areas of Bangladesh, who are historically trapped in poverty formed by the confluence of social exploitation and climate injustice.

When eight sailors onboard their fishing trawler find a mysterious girl mid-sea, ill fortune falls upon the boat as they don't catch any fish the next few days. The fishermen try to make it back home, although the sea has other plans for them.

Noor, a man from a small town, gets the chance to go abroad through his job. But in an unfamiliar country, Noor faces a danger beyond his worst nightmares. The hope of returning to his wife and mother in his home country pushes him to keep moving forward.

A King, a princess. Their encounter in a makeshift Opera tent in a village. Here in today's rural Bangladesh, the film brings up a colourful but understated drama of human and artistic dilemmas. While the princess is sought after on stage, on TikTok and in flesh by all the men – audiences watching the stage, the businessmen, the local politicians; behind the stage, the king waits and waits for his turn. He has to complete a story he began, long back.

Rashed and Abani- Two lovers living the life as they dreamt. But fate plays a tragic turn when a past mistake transforms into vengeance. Could Rashed and Abani survive this storm and make it to the end?

Peyara is an unfortunate woman. She has been married to an older man by her uncle in return for some money. she is disappointed to know that her husband is a coffin maker. she pushes her husband away citing the stench of his body sweat. sexually aroused aynal munshi becomes furious. the grumpy old man forcefully has intercourse with the bride. he rapes her day after day, peyara is going mad due to the repeated rape. she decides to take revenge. aynal munshi, poisoned by peyara is now demented by datura (a plant) poisoning. he can smell the rotting corpse on his body. meanwhile, peyara's ex-boyfriend hashem arrives as the new carpenter at munshi's factory...

The stories of 'Procholito' are often heard while walking, sometimes read, and deeply embedded in the minds since childhood. 'Procholito' reflects the art of enveloping these ideas in the contemporary cloak, creating a timeless allure.

Tiger works on ship building on the opposite side of Sadarghat. The identity of street child Tiger is that he lives in the passenger camps, boats, ships and warehouses of Sadarghat, so the old Sadarghat is his home. He usually walks on both sides of the ghat and a beautiful girl named Laili lives here. Tiger falls in love with Laili later, and Laili rejects him. Since then, Tiger has not left Laili behind. Laili gets annoyed with Tiger's pain. Thus, the story of Tiger in Sadarghat in begins.