Nizar Abu Hajar

Abu Janti — self-proclaimed "King of the Lancer" — is a Damascus taxi driver whose cab doubles as a confessional, comedy club and social mirror. Each episode brings a new passenger with a new story, and Abu Janti can't help but get involved. Written by and starring Samer El Masri, born from a beloved sketch on Spotlight (2003), this Syrian black comedy uses the taxi as a window into everyday Damascus life — funny, sharp and occasionally heartbreaking.

A journalist working in the same newspaper as her husband, and intellectual conflict arises between them because of the differences between the nature of men and women. The series shows the relationship between the spouses, revealing many attitudes of the “Eastern Man”.

The story of Nassar Ibn Oraibi, a fighter against injustice, that sheds light on the life in the Damascus neighborhood and the role of one woman who becomes responsible for the house and her four daughters in light of her husband's absence during the Hajj.

The series manifest the lives of war veterans, and addresses subjects such as love, hope and life after war. There is also the ugly side of war such as organ trafficking and arms dealing.

Life returns to a building abandoned after the Lebanese Civil War when it becomes a temporary haven for Syrian refugees, as war ravages their homeland.

The story of Jamil Al-Homsi, who is shy around women, which explains his wife Hanaa's lack of jealousy. This drives him to invent many ways to make her jealous and force her to pay more attention to him, which gets him into many comedic situations.

Jalal is imprisoned on trumped-up political charges. As he breaks out of prison and crosses the Lebanese borders, he meets his Palestinian friend, Qassem, who is a member of the resistance against the Israelis. Jalal's wife gets the court to grant her divorce in absentia to marry Colonel Nazem.

In the destroyed city of Quneitra is the grave of a resistance fighter for Palestine. His son, the director, tries to restore the dead man's history by mixing echoes of his mother's memory and his desire to give his father a more honorable death. Through the daily lives, dreams, fears, and hopes of its citizens, Malas chronicles his hometown Quneitra in the Golan Heights between 1936, the year of the first revolts against the British and Zionists in Palestine until the year of the city's destruction. He seeks to exorcise a feeling of shame and humiliation that long accompanied the image of his father and also his town, occupied by Israelis in 1967.

A tour guide is caught between two men: the first is a powerful and influential businessman, who is secretly married to the tour guide, and demands that she abort the fetus she is carrying from him. As for the other, she meets him on one of her tours and falls in love with him, as he appears to her to be a light-hearted, helpful and humble man.