Vincent Harding

In 1940, the Royal Air Force fights a desperate battle against the might of the Luftwaffe for control of the skies over Britain, thus preventing an attempted Nazi invasion.

Harry Clegg is an ex policeman who fights dirty, his mission to track down a crazed prostitute responsible for a string of murders.

Bathsheba Everdine, a willful, flirtatious, young woman, unexpectedly inherits a large farm and becomes romantically involved with three widely divergent men.

Survivors of a sinking ship are rescued by Captain Nemo and his submarine crew. They are taken to an underwater city where they may spend the rest of their lives.

A study of absurdity in a suburban family: father recreates the Old Bailey in the living room while the son teaches speak-your-weight machines to sing in the attic.

Simon Templar is hired by a friend in the book publishing trade to protect one of his stars, a secretive recluse named Amos Klein who writes a popular (and lucrative) series of adventure novels about a manly and suave spy.

Good natured comic caper charting the misadventures of a hapless bunch of Brighton based petty crooks dogged with disaster at every turn.

The inhabitants of Ganymede need to find mates from another world or they will become extinct. They soon discover a suitable breeding stock amongst the females of planet Earth.

A television interviewer is determined to get a coup on a dodgy cabinet minister.

An up and coming politician is caught in a compromising photograph taken by a maid, who turns out to be part of a sophisticated blackmail ring. When the girl is found murdered, he holds an incriminating old dueling pistol.

An ex-con escapes from jail to clear himself about a robbery charge

This is a film made as an elaborate advert for the Insurance Industry. A group of criminals conspire to rob a warehouse which has also been spotted as a vulnerable target by an insurance salesman who suggests precautions, including buying insurance. Will the works be done in time and sufficient to stop the robbers?

A quirky spy show of the adventures of eccentrically suave British Agent John Steed and his predominantly female partners. Jonathan Steed - an urbane, proper gentleman spy - teams with various assistants throughout the series' run, including Dr. David Keel, Cathy Gale, Emma Peel and Tara King, to repeatedly save the world from diabolical schemes plotted by equally diabolical evil-doers (among them robots and man-eating monsters).

Simon Templar is The Saint, a handsome, sophisticated, debonair, modern-day Robin Hood who recovers ill-gotten wealth and redistributes it to those in need.

Studio 4 is an anthology drama series utilising BBC Television Centre's Studio Four, and running for two series in 1962 on BBC One. It was envisaged as a sequel to Storyboard, a similar anthology series which had been transmitted the previous year.

Gideon's Way is a British television crime series made by ITC Entertainment in 1964/65, based on the novels by John Creasey. The series was made at Elstree in twin production with The Saint TV series. It starred Liverpudlian John Gregson in the title role as Commander George Gideon of Scotland Yard, with Alexander Davion as his assistant, Detective Chief Inspector David Keen, Reginald Jessup as Det. Superintendent LeMaitre, Ian Rossiter as Detective Chief Superintendent Joe Bell and Basil Dignam as Commissioner Scott-Marle. The show did not acknowledge any help from Scotland Yard, any other police force or advisor. Daphne Anderson starred as his wife, Kate with Giles Watling as young son, Malcolm, Richard James as older son, Matthew who seemed to have a lot of new girlfriends and Andrea Allan as daughter, Pru. Unusually for police stories, Gideon was shown as a family man at home though urgent phone calls from his bosses tend to disrupt family plans too often. However, he did admit in "State Visit" that his wife had walked out on him for a while years ago when he put the job first and her second. They live in an expensive detached house in Chelsea.

The Scales of Justice is a series of thirteen British cinema featurettes produced from 1962 to 1967 for Anglo-Amalgamated at Merton Park Studios in London. The first nine were made in black and white, and the last four in colour. The finale, Payment in Kind, was Merton Park's final production. Episodes were based on criminal cases, and each film was introduced by criminologist Edgar Lustgarten. The series derives its title from the symbolic scales held by the statue of Justice, situated above the dome of London's Central Criminal Court, The Old Bailey. The opening narration describes her as having "in her right hand, the Sword of Power and Retribution, and in her left – The Scales of Justice".