Anastasio Campoy

Pedro Martín, a young and ambitious doctor, is studying the effect of cancerous cells on mice, but he has run out of mice in his laboratory, since they do not breed there, and he has no funds to purchase more of these expensive laboratory animals from the United States. Nevertheless, his assistant, Amador, informs him that he gave some of the mice to an old trapper, nicknamed “el Muecas”, who lives in precarious conditions in a shanty town outside Madrid, and that this poor man has successfully bred them with the help of the natural heat of his daughters. The incredulous scientist goes to the shanty town to obtain the mice. There, Pedro meets Muecas, Muecas's wife Ricarda and their two daughters Florita and Conchi. With the warmth of the women’s breasts, as the flirtatious Florita shows Pedro, the mice are able to reproduce.

Agustín, a school teacher, visits Paco, a former student, whose mother asks him to help her get the boy on the right track.

In Spain of the 1960s, a poor family of quinquis - a nomadic ethnic group with a tradition as old as that of the gypsises of Spain but with even more obscure origins - have a nomadic life marked by poverty. The son, Eleuterio Sánchez Rodriguez, nicknamed "El Lute", steals some chickens and is condemned to six months in jail. El Lute moves to the slum outskirts of Madrid with his common law wife, Chelo, starting an itinerant life as a peddler of pots and pans and living in a quinqui shantytown. He gradually embarks upon as life of petty criminality, eventually participating in the theft of a jewelry store during which a bystander is killed.

English scholar visits a small Spanish town in the Andalusian mountains to investigate the disappearance of another English scholar long ago. He learns of the legend of Sabina, a mysterious dragon woman who becomes his obsession.

Pepe, married to Amparo has fallen madly in love with Mónica, who happens to be the wife of his best friend Luis. Love affairs abound in this screwball comedy in which everyone is unhappy with their respective marriages and dream of the then imminent approval of divorce in Spain .

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.

Merli, teamed with Mexican star Hugo Stiglitz as his photographer buddy, plays a journalist investigating the shady activities of the local Mafia. Eventually the shit hits the fan, and Merli is cornered and beaten for sticking his nose to close to the action. After his girlfriend is raped, Merli dishes out some vigilante justice and punches, shoots, and bitch slaps his way through the Mafia ranks.

Some kind of sadist, but not human, is murdering people. A doctor is convinced that the killings are the evil workings of a reclusive odd baron who died many years ago.

After the end of the Spanish Civil War, General Antonio Escobar Huerta stoically awaits his execution, accused of military treason and sentenced to death for having sworn allegiance to the Republic. Despite being a man of deep religious convictions, Antonio Escobar decided to make an oath honoring the legally constituted government of the Second Spanish Republic against the military uprising led by Francisco Franco and supported by the Catholic Church. While waiting for his execution in prison, he recalls the beginning of the Civil War, the years of battles during which he ascended to the rank of General, and his own decisions, of which he has no regrets. With a clear conscience, Escobar waits his own execution with the calm of those who know they have done their duty. "If my life and that of all who have fallen serves to avoid this from happening again, our blood will not have been in vain" - Antonio Escobar Huerta.

Some deeds done by a Nazi in France during World War II lead to more killings in the present. Are they revenge, or is there another motive? Both civilians and police tries to solve the mystery.

Juan, before the economic problems arising as a result of the arrival of democracy in Spain, decides to go to Venezuela, with Jaime, his brother, who has made ​​his fortune in that country. Juan hopes that Jaime will make him a loan, hoping that also Gloria, his daughte,r marries Isidro Gomez de Ansúrez, a boy from a wealthy family.

A loose retelling of the 13th century Galician legend of the boy Cotolay who helped three pilgrims establish the Convent of San Francisco near Santiago de Compostela.

The King of Poland abandons his newborn son after predicting a prophecy that would cause destruction in the country in the future.

José is a happily married executive, with children, a flat in Madrid and a house in the suburbs. It's Friday and the weekend seems to follow the usual pattern: football match with mates, travel to the mountains and family visit. Nevertheless, José feels no motivated by his routine, he no longer distinguishes leisure from their obligations, all of which result in an unexpected final decision by his attentive wife.

Curro Jiménez was a successful Spanish TV series that aired on TVE1 from 22 December 1976 to 1979. Its main theme was Andalusian "bandolerismo" in the 19th century, located in the Ronda mountains. The main characters were four bandits, Curro Jiménez

An account of the life of Teresa of Ávila (1515-1582), from her spiritual awakening to her final days, as she struggles to reform the Order of the Carmelites and with her own faith.