Réjean Gauvin

In the long shadow of an experimental CIA mind control program, Sergeant Kellen O'Reilly begins experiencing violent flashbacks of his “treatments” at the hands of the sinister Dr. Satorius. When the body count on his latest case inexplicably begins pointing toward his own fragmented past, a romance with Satorius’ criminal prosecutor raises the stakes. O'Reilly must forge a path forward through a hall-of-mirrors conspiracy stretching from the Mafia to the highest levels of the CIA, culminating in a shocking, stadium-sized confrontation.

After her grandmother enters a nursing home, a spirited young orphan girl moves in with her rigid, Bach-obsessed uncle. Accompanied by her pet skunk, Broccoli, her energetic presence disrupts his strictly ordered routine, slowly softening his cold exterior and showing him the true meaning of family.

A psychotic man and an obsessed police officer make life unbearable for an unlucky actor by making him the scapegoat for a string of kidnappings.

A government ministry's fast-rising head of security asks a shadowy fixer, Meursault, to steal a bag from an armored truck. Meursault goes to Théo, a former night club owner, in prison for two years on false charges, who's being released in exchange for information about Montreal's underworld. Théo agrees to steal the bag for money and safe passage to the US for himself and his son Robin. Théo brings in two helpers, Gilder, ex-con and set designer, and Roxanne, Gilder's friend, a tough-minded petty thief. Their elaborate plan blows up when a guard, Marcel, takes his responsibilities too seriously. What happens to father and son? Will any of the thieves escape?

Continuing a saga that began with his previous, 1978 film, Vautours director Jean-Claude Labrecque returns with the French Canadian, Louis Pelletier and puts him in the context of the growing separatist movement in the late 1960s in Quebec. At that time, supporters of an independent Quebec began to consolidate their power under the Parti Québecois -- and the story of Louis and his wife Claudette are meant to illustrate this watershed in Quebec's history. As the film begins, Claudette and Louis are about to get married -- and their wedding day significantly coincides with preparations for the visit of Queen Elizabeth II. Years later, they are well-established in Montreal and are enjoying visits from their family -- and then their lives start to deteriorate. Louis is suddenly out of work, and as he faces the difficulties of finding another job -- and of living precariously -- he becomes more radical, less accepting of the status quo.

A divorced man, father of a boy, gets together with a colleague from the office, mother of a little girl, which causes some conflicts.