Maha Al Masri

Created and starring the legendary Yasser Al Azmeh, Maraya ran for 20 seasons from 1982 to 2013 — making it one of the longest-running comedy series in Arab television history. Each episode presents standalone stories skewering the social, political and economic frustrations of everyday Arab life with sharp wit and biting satire. A mirror held up to an entire society, it entered homes across the Arab world for three decades and never stopped being relevant.

Damascus in the late 1990s. Kareem and Nabila are raising five very different daughters — each with her own personality, ambitions and complications — alongside a scene-stealing aunt Jamila. Every episode centres on a family issue that brings everyone together to argue, laugh and muddle through. Warm, witty and deeply rooted in Syrian daily life, it remains one of the most beloved family comedies in Syrian television history. Stars Jamal Suleiman and Khaled Taja.

The story of four young men who were high school classmates. Despite the differences in their understanding of life, their work and their tendencies, they somehow share something in common, as their destinies intersect to tell a story about love, friendship and the double standards of morality.

A journalist working in the same newspaper as her husband, and intellectual conflict arises between them because of the differences between the nature of men and women. The series shows the relationship between the spouses, revealing many attitudes of the “Eastern Man”.

Awdat Asoid is one of the most famous Saudi television series in the Arab world. This series was produced in 1985, by ARA of artistic production, directed by Adnan Ibrahim and authored by Mohammed Ataiwian, both the participated from Saudi arabia and Syria. Although the series is short, it was thoroughly enjoyed by its viewers.

The Yazerli is the foreman who provides work to day laborers. The film’s poetic, non-narrative structure simulates the fractured thoughts of a young boy who is forced to leave school and find work on the docks. Using minimal dialogue but evocative music and sounds, separate vignettes introduce characters the boy encounters in a single workday. The filmmaker explores the child’s vivid imaginary world while tangibly conveying the physical harshness and repressed sexuality of a life spent in poverty and manual labor. Based on a novella by Hanna Mina.