Josef Waldfogel

Seven-year-old Filip admires his older brother Sebastian most of all. They fool around, watch movies and play football together. One evening Filip happens to see something unexpected between Sebastian and his best friend and Filip doesn't know how to handle it.

Caught between two genders, the artist Eli Leven and Ester Martin Bergsmark touch and caress each other, while they bath together in clouds of steam. A persuasive voice-off describes the often hard and painful growing process, which led them to choose to be neither males nor females. But something else entirely. While memories of adolescences scarred by homophobia and discrimination are presented, the audience is also captivated by poetic evocations of bodies, of snowy woods, water, nature, and snails: the symbol of androgyny. This movie moves the audience profoundly. It is a hymn to sexual fluidity, which reveals the search for the true self, rendered through the use of contrasting, vivid, and often acid bright photography. Intended as a television portrait of the transgender artist Eli Leven, it is a psychedelic docu-fiction, a hybrid movie inspired by Derek Jarman's Sebastian.

The focus is on the Gotland investigation team led by Inspector Robert Anders, who originally comes from Germany, his assistants Karin Jacobson and Thomas Wittberg, and the pathologist Ewa, played by Pippi Longstocking actress Inger Nilsson.

The day before Almedal Week begins, Minister of Business Affairs David Ehrling receives a call from Prime Minister Elvira Kropp. She explains that she intends to resign and that in connection with a press conference she wants to "point out" David as a possible successor. David will stop at nothing to become Prime Minister. But is it a price worth paying?