Ģirts Liuziniks

In two monumental symbols of the national awareness sculptor Kārlis Zāle has immortalized his vision about the state of Latvia. Freedom Monument is the statement of the sculptor’s love for his native country. Kārlis Zāle with his characteristic monumental touch sees life in large and powerful lines; the same way he perceives also sculpture that requires much vital force and daring. The full-length documentary “The Wounded Rider” is based on facts from the life of the sculptor Kārlis Zāle and documents on the construction of the Freedom Monument, providing insight in the political and social scene of the age and presenting outstanding figures in the culture and art together with the ideals of that time.

The true story about Latvian poet Austra Skujiņa, who spends her days dreaming and writing poems while working in the Ministry of Agriculture. Her accidental late night meeting with a policeman in a park triggers a series of unexpected events. The young poet is forced to face a choice between giving in to the policeman’s blackmail or informing on him to his superior. During these events Austra Skujiņa writes her last published poem.

After hearing many success stories about direct sales companies, Roberts decides to try his luck in selling vacuum cleaners door to door. On the first work day he finds out about the possible bonus in case of at least 2 successfully closed sales deals. At a glance the task seems quite easy. Once Robert faces the reality in a block of flats and encounters its peculiar inhabitants, the task no longer seems to be so simple.

In 1873, brave men known as the New Latvians held the first-ever Latvian song festival under the watchful eye of oppressive censorship. This massive celebration, featuring 1,003 singers – both men and women – changed the course of the nation’s history. It stands as a unique example of non-violent resistance in the fight for freedom against imperialism, led by Latvia’s entrepreneurs, writers, publicists and ordinary villagers.

Mr. Schmidt, a young man who is recovering from a recent nervous breakdown, arrives at a country manor. As he waits for the governess Mrs. Rosenbaum, Schmidt is scared by the gardener but then meets a bored, young woman, Vera, who kindly accompanies him through the house. Vera tells Schmidt about a great tragedy. Precisely three years ago, members of her aunt’s family passed away, but the bodies were never found. Mrs. Rosenbaum does not believe in the death of her relatives and continues to wait for their return. Coming close to madness, Mr. Schmidt escapes from the mansion, and the missing family members return from an actual hunting expedition. As it turns out, Miss Vera makes up legends because of boredom.

Una and Dāvids seem like a happy, wealthy couple, but Una, a former actress, feels insecure about her place in the relationship. Rumors in the tabloids and mysterious texts about her influential husband deepen her doubts. When their friend Oskars visits to negotiate a business deal, tensions rise. Una escapes the pressure by teaching a theater masterclass to a student named Gustavs, where she hatches a plan to protect her role in the family. What begins as a personal struggle turns into a fight for survival. Who is the victim and who is the killer? The viewer must decide.