Hélène Surgère

Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.

While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.

When Camille falls ill, she is forced to live with Philibert and Franck.

In a small presbytery in Yorkshire, England, living under the watchful eyes of their aunt and father, a strict Anglican pastor, the Bronte sisters write their first works and quickly become literary sensations.

In early 1920s France, an author, lying on his deathbed, looks at various photographs and is flooded with memories of the people and events that have shaped his life.

Two rival "brothers-in-law" make a bet that they can stop smoking for 2 weeks. But, it's just not that easy...

Because she picked the wrong door, Anna ends up confessing her marriage problems to a financial adviser named William Faber. Touched by her distress, somewhat excited as well, Faber does not have the courage to tell her that he is not a psychiatrist. From appointment to appointment, a strange ritual is created between them. William is moved and fascinated to hear the secrets no man ever heard.

An American passing through France is hosted one stormy night by a couple who soon use his services shamelessly. A very curious way for the young foreigner to find his roots.

Camille, a young, provincial, proletarian man works for Hélène Courtray, who is still beautiful and seductive. She's a sophisticated, cultivated and well-to-do woman who has engaged him to care for her reclusive son who has spent the past few years voluntarily locked up in his room. An encounter between two persons and two worlds where the relationship of the young man to this closed, strange and unknown universe rapidly turns tragedy.

Pierre Cohen, a sophisticated Parisian psychologist, goes to his brother's farm in order to protect it from very hostile local landowners.

A woman falls in love with the man who killed her former boyfriend.

Pierrot, mechanic in Paris, falls madly for a female chemist his senior—who at first refuses him, only accepting love after being diagnosed with a deadly illness.

Yves Montand, playing himself, returns to his hometown of Marseilles to appear in an autobiographical musical. Once there, he searches for the barmaid he once loved and also encounters young hopeful Marion, giving her the chance of a lifetime.

This comedy brings Pierre Richard and Michel Piccoli together onscreen once again. In the story, former professor Henri Toussaint Piccoli has been locked away in a psychiatric ward for some years for trying to strangle his wife when he found her in bed with another man. Now she has a terminal illness, and wants some sort of reconciliation with him. His therapist (Richard) decides to permit him to visit with her, provided he comes along. Except for his wide mood swings and occasional outbursts of lewd muttering, the professor "passes" for sane fairly easily. Not so the psychotic (Dominique Pinon) who stows away in the psychiatrist's car, who constantly calls attention to the other two.

A thirty-three-minute documentary featuring interviews with director Pier Paolo Pasolini, actor-filmmaker Jean-Claude Biette, and Pasolini friend Ninetto Davoli.

A father is scheming to have his slightly mental daughter from an earlier marriage killed by allowing a murderous psychopath to be released from the asylum and led to his house. However, the psychopath and the daughter fall for each other.

Elisabeth, a 11 year old girl, visits Marcel, a mute gardener every morning with whom she shares a very particular friendship. During three years, their bond grows stronger, as Marcel seems to be the only person she can connect to.

Claire Rousset visits her ex-husband Pierre who lives in the Lyon region. For some time now, Pierre's health and that of the other inhabitants of the village has deteriorated to the point of becoming worrying.

From the director of Marius et Jeannette, this story of two working-class families is a fable with an optimist streak. A young black man, Francois, is wrongly accused of rape by a racist policeman. The story is told in voiceover by his childhood friend, neighbor, and the mother of his future child, Clementine, who is white. The city is Marseilles as in the previous film, symbolic with its churches, prisons and ruins. Except in this film, director Robert Guediguian also ventures outside, taking the story to Sarajevo; two different cities, one devastated by war, the other by a bad economy and unemployment. A la Place du coeur won a Special Jury Prize at the 1998 San Sebastian Film Festival and was also shown at the 1998 Toronto Film Festival and the 1998 Montreal Film Festival.

Following a stint as a WWII fighter pilot, Belgian-born Edouard falls in love with an Indonesian woman, has a daughter with her and immigrates to Australia, all without the knowledge of his family back home. Years later, his love has passed away, and he's raising his daughter on his own. When his brother calls seeking help with his failing wool-processing company, Edouard agrees to temporarily return home to aid him.

Etienne is crazy about ice skating and videoing his daily life with a digital camera. He records his mother, friends, and geography teacher. Initially his intention is to setup a date between his mother and his teacher, however, he starts to realize that he is infatuated with the teacher himself.

On the day Jean Gabin dies, a kidnaper who also takes a fortune in jewels heisted from Cartiers murders Simon Verini's wife. (Simon was fencing the jewels for a youthful gang who robbed Cartiers; he suspects them of the murder.) He's framed for the theft and spends ten years in prison, writing to his daughter, Marie-Sophie, who's 11 when he's sent away. Released, he reconnects to Marie-Sophie and to the young thieves, seeks revenge, and is quickly arrested again. She doesn't know what to make of her father, retreats to her Swiss fiancé, and is flummoxed when one of the young thieves falls for her. Is resolution possible when crime cuts across families and romance?

In the 1930s, we follow the story of the laundress Berthe who marries the eldest son of a bourgeois family.

The pragmatic, reserved and refined Maigret investigates murders in his singular unhurried manner and inevitably discovers the truth.

Who is Patient Number 4, and what does he have to do with the Van Oranje-Nassau's, the Dutch royal family?