Jean-Pierre Coffe

In Belle Époque Paris, a 19th-century Parisian aristocrat falls in love with a lower-class prostitute who seduces him but never loves him.

Paris, 1933. The daughter of a respectable lower middle class couple, Violette Nozière, leads a disreputable double life. Far from being the innocent 18-year-old her parents mistake her for, she spends her nights with dissolute young men in the less salubrious areas of the city.

One night Mia has a premonition. So after saying a few words of parting at her mother’s grave, she sets out on a cross continent journey, though mountains and jungles in search of her father, who has been trapped in a landslide at a construction site on a remote tropical lake. In the middle of the lake stands the ancient Tree of Life, watched over by innocent, bumbling forest spirits called the Migoo, who grow and change shape as they please, morphing from small childlike beings to petulant giants. The Migoo have been disrupting the construction to protect this sacred site – and now together with Mia they join in a fight to find Mia’s father and save the Tree, with the future of life on Earth hanging in the balance.

A César award nominated short comedy.

Drama chronicling the premiere of Victor Hugo's 1830 drama Hernani, and the dramatic Romantics that rallied around it.

When a real-estate promoter attempts to take over the homes of two electronics whizzes and boot them out, they contrive ingenious ways to inconvenience and harass him. By pooling their knowledge, they are able to pull off a crucial robbery using a very special box of chocolates.

The meeting of two women of the same age. One is a taxi driver, a little idealistic and romantic and the other is a wealthy and idle bourgeois.

A long parade of actors and actresses pop up in an unconnected series of skits, vignettes, and sight gags in this comedy anthology by Jean Curtelin. Among the sketches performed is one with Jean Carmet playing a man from the sticks woefully burdened with the challenge of getting through a dog food commercial on less than one tank of intelligible French. Another skit shows a silent duel between an airport custodian and an automatic door, while another with the renowned Michel Galabru sets up a strange teacher-student exchange.

Four generations of Oppenheim men gather in Paris for Isaac's 90th birthday. He's "Romeo," still a lady's man, waiting to hear from a woman to whom he has proposed, threatening suicide if she says no. They gather at Isaac's grandson's, Ben, who lives with Peggy and their son Mathias who's 10. Joining them, from Israel, is Isaac's son Elie. Against a backdrop of Elie's attempts to call his ex-wife, Ben and Peggy's marital difficulties, Mathias's budding sexuality, everyone's love of chess and practical jokes, Ben's house (shifting dangerously on its foundation), and the twentieth-century struggles of the Jews, the film explores their relationships and Isaac's aging.

A four-hour journey through the first ten years of Les Guignols. Cult sequences, historic sketches, reference expressions... offer sixty or so “Guignolized” personalities the opportunity to analyze the phenomenon or react to their puppets. Their impressions, shared with Gilles Verlant, punctuate the Night. All those who have made Les Guignols what they are today - Alain De Greef, the historical authors, puppet creator Alain Duverne, etc. - take the opportunity to reveal a few of their secrets.

After the death of her little boy, Anita wants to take her own life.

The producers of this French film took approximately 100 people, put them on a soundstage and had them improvise this film based on the premise that they are on a spaceship escaping from the dictators of earth and only have a few days to live. Improvisation is a dangerous art-form; unprepared amateurs invariably come up with gross caricatures when challenged to improvise. The actors' choices in this film include an allegorical pageant of the life of Jesus, a marriage, an orgy, and some genuinely affectionate moments. Nonetheless, as an experimental effort in large-group improvisation, the film is instructive. - Clarke Fountain, Rovi

Brumaire, the director of public relations at the Élysée, is trying to boost the rating of his government.

An unemployed investor creates a fictious business partner to attempt to improve business. Eventually, his creation gets out of control as his business becomes successful and his wife announces that she is in love with the partner and his son wishes the partner was his father -- although no one has ever seen him. To regain control, the man decides to "kill" his imaginary partner and is arrested for the murder.

Apostrophes was a live, weekly, literary, prime-time, talk show on French television created and hosted by Bernard Pivot. It ran for fifteen years (724 episodes) from January 10, 1975, to June 22, 1990, and was one of the most watched shows on French television (around 6 million regular viewers). It was broadcast on Friday nights on the channel France 2 (which was called "Antenne 2" from 1975 to 1992). The hourlong show was devoted to books, authors and literature. The format varied between one-on-one interviews with a single author and open discussions between four or five authors.

In each episode, 3 celebrities who have never met go on a 24-hour break in the countryside. A moment out of time to meet and talk about love, friendship, life with its obstacles and surprises.

Between 1905 and 1918, the opposing destinies of two brothers from a large Catholic bourgeois family.

Healthy eating reviewed in an alternative form, light hearted and funny, while getting across a clear, positive and constructive educational message and without using a heavy moralistic tone. The series is also designed to be ultimately distributed on various audiovisual mediums as part of themes like the promotion of quality nutrition and the development of healthy nutritional habits.