Klaus Pohl

A portrait of the genius that shook the world with her discovery of “the banality of evil.” After she attends the Nazi Adolf Eichmann’s trial in Jerusalem, Arendt dares to write about the Holocaust in terms no one has ever heard before. Her work instantly provokes a furious scandal, and Arendt stands strong as she is attacked by friends and foes alike. But as the German-Jewish émigré also struggles to suppress her own painful associations with the past, the film exposes her beguiling blend of arrogance and vulnerability — revealing a soul defined and derailed by exile.

A young actress in Cold War Berlin struggles to decide whether or not to accept a new role, working with an old leftist director in a deserted theatrehouse. Caught between her painful childhood - loss of the mother - and the confusing and instable present political and social situation, she engages with prostitutes, penniless playwrights and postmen of the split Berlin city.

An American filmmaker travels to modern day Berlin to make a film based on a real-life incident from 1942 in which 13 Jewish prisoners from a concentration camp were promised freedom if they appeared in a German propaganda film. Unfortunately, the Germans lied. The psychological process undergone by the modern filmmaker while shooting the story provides the basis of this arty and challenging film.

When the pictures from Bergamo in Italy go around the world in spring 2020, even non-medical people know what the word pandemic means. The previously unknown Coronavirus is spreading rapidly across the planet. Four days later, exit and contact restrictions also apply in Germany. Since then, the life of the Konstanz intensive care physician Dr. Carolin Mellau and her family on their heads. The female doctor becomes a member of the crisis team and is on duty around the clock to prepare the clinic for the impending emergency. As an anesthesiologist intubating those infected with COVID-19, she herself carries a high risk of infection. Meanwhile, her husband Stefan has to cancel his concerts as a musician, is no longer allowed to teach his music students and is suddenly sitting at home without an income. Teenage daughter Luzy is not allowed to see her Swiss boyfriend because the border is closed. She and brother Tim cannot go to school. But the worst case for the family is yet to come.

A medical doctor who is regarded as a specialist in retort research has been found dead. Science journalist Vera Pukall investigates the alleged suicide and uncovers the ruthless activities of a large pharmaceutical company. She receives help from Dr. Svoboda, of all people, the group's main stockholder.

It is an absolute B movie. It starts like a fake western movie and continuous with an East European prostitute on the run from her manager. Bad example of a good quality German movie. There are many of good quality and better than average American entertainment. But this one is not.

The subject of this historical drama is a splintering Berlin in the years of 1948 and 1949. Played against the backdrop of social upheaval, the characters in the drama come to epitomize the best and worst of each pole of the political sphere. A 17-year-old hoodlum by the name of Gladow works hand-in-glove with a local white-collar criminal to rob and pillage every day and night, defying capture. While he and his gang of thugs are terrorizing the people of Berlin, the Soviets are trying to make the blockade of their region of control impermeable. The future casts long shadows over the drama, as Berlin's problems take the shape of times to come.

Set in 1964, a man returns to his hometown looking for his childhood sweetheart but discovers a dark and corrupt world.

A policeman lunching with his daughter is present when a dead body washes up on shore. He investigates, leading him down a twisted and muddled path of nefarious connections reflecting, somewhat, his own life.

An aging King invites disaster when he abdicates to his corrupt, toadying daughters and rejects his one loving, but honest one.

Twelve-year-old Marie has a very special relationship with the house where she lives with her extended family. Marie secretly talks to it as if it were alive and interprets strange occurrences in the somewhat dilapidated building as 'human' reactions and behaviors of the villa. When Marie's grandmother, who has been dreaming for years of making humanity happy with her environmentally friendly technical inventions, falls for a con artist, loses all her money, and the property is about to be auctioned off, the desperate girl tries everything to save her home. In doing so, she is not only 'actively' supported by the house, but also by her friends Stefan and Konrad. However, this is complicated by the fact that both of them want to "go out" with her and suddenly demand that she choose one of them.

A pessimistic drama about a family struggling to survive after the death of their father. Left behind are the simple-minded mother, the strong-willed daughter Josefine, another sister and a mentally retarded brother. Josefine takes over the reins and looks after the family. She turns her sister into a maid and forces her brother to live in the cellar.

In this filmic memoir, German director Rosa von Praunheim returns to New York, a city he knew and loved in the woolly 1970s, to see what he might find and also to check in on the colorful protagonists of his 1989 documentary, Überleben in New York. Both a personal journey and a historical survey, New York Memories captures a transformed city by charting the shifting course of gay life, from Warhol Factory figures to the AIDS ravaged, within it.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

End of Innocence is a two-part television film that focuses on the work of the German Uranium Association during World War II. At Farm Hall in England, the ten German nuclear scientists interned there as part of Operation Epsilon learn of the dropping of the first atomic bomb on Hiroshima in August 1945. In flashbacks, the development of the German uranium project is recapitulated chronologically from the discovery of nuclear fission by Otto Hahn to the work of Kurt Diebner at the Heereswaffenamt to the experiments of the Kaiser Wilhelm Institute for Physics under Werner Heisenberg and Carl Friedrich von Weizsäcker at the Haigerloch research reactor in spring 1945.