Fons Rademakers

In the winter of 1891 a stranger arrives in a small coastal town on the Isle of Man. His presence soon disturbs the lives of the local inhabitants, especially the beautiful daughter of the parson.

Ostend, Belgium. In a decadent seaside hotel, Stefan and Valerie, a newlywed couple, meet the mysterious Countess Báthory and Ilona, her secretary.

In the late 19th-century, the Tippel family moves to rural Stavoren in search of greener pastures. However, their dreams are quickly shattered, as teenage Katie is terrorized by a male-dominated society who only see her as an object. Her situation worsens when, following her father's sacking and her elder sister's descent into alcoholism, her mother decides that, rather than starving, Katie becomes a prostitute.

In the freezing winter of 1944, the devastating Battle of the Bulge rages across Belgium. Amid the chaos, an American soldier separated from his unit crosses paths with Richard, a cynical young Belgian boy, and Willy, a wounded German soldier they take as a prisoner.Stranded in a desolate, snowy landscape where survival overrides military allegiance, the three mismatched individuals form a fragile, surreal bond. As they trudge through the war-torn countryside, their basic survival instincts push political ideologies aside.

A young medical student observes his neighbour's love life through a hole in his apartment wall.

The story of a small and conservative West-Flemish village opposing the construction of a bridge over the Scheldt.

The Herts Camera Sutra or The Palefaces (1973) is a militant and visually fragmented critique of Belgian bourgeois society, blending documentary collage with semi-autobiographical fiction. De Hert attacks the distractions of nationalism, religion, and popular culture while exposing capitalism, social injustice, and postcolonial exploitation. The film’s second half shifts to a disillusioned group of rebellious youths, revealing the uncertainty and emotional paralysis behind revolutionary ideals. Both politically fierce and deeply self-questioning, the film captures the tension between radical ambition and powerlessness.

All Rebels paints a picture of the young people who congregated around Amsterdam’s Leidseplein square in the days before wider protest movements broke out in the late ’60s and the ’70s. They kicked against the powers that be through wild parties, jazz music, unconventional clothing, long hair, smoking marihuana, uninhibited dancing and free love.

Documentary that looks back at 35 years of Dutch cinema, with Paul Verhoeven and others.

Cult icon Klaus Kinski features in this dark and intriguing existential thriller. He plays the mysterious "Swiss Man" - ruthless industrialist Nicolas Ulrich - who is obsessed with a search for the elixir of life. He tricks a young American scientist into joining him on his demonic quest. A quest that ends in suicide, death and madness. The story takes place in the atmospheric European city of Amsterdam. Its winding alleys and ancient canals trap the characters in a labyrinthine maze as they find themselves manipulated like figures on a giant chess board.

Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

A three independent parts sci-fi drama. In the first, entitled The Bomb, a story of a garage mechanic is told who finds an atomic bomb by accident. The second part, entitled The Last Judgment, deals with the consequences of a military convoy carrying biological weapons going mad. In the third part, entitled Experts Of Evil, there is an accident at a chemical plant when a,pressurized container with dioxin explodes resulting in leakage.

A student is working part-time on a canal boat in Amsterdam and a young director wants to make a film about her.

Arsène Lupin is a French TV show which was co-produced with German, Canadian, Belgian, Dutch, Swiss, Italian and Austrian TV stations. It was only loosely based on Maurice Leblancs novels. Georges Descrières' portrayal of Arsène Lupin showed more similarity to Graf Yoster than to Maurice Leblanc's original. He behaved in the first place as a perfect gentleman who never got angry. He was always relaxed, because whatever could possibly had bothered him in daily life was taken care of by his butler. It wasn't questioned how he had come to his financial independence although the series sometimes discreetly implied that he was a professional criminal. Besides rescuing damsels in distress Lupin took on criminals, competing with their wit and intelligence. Either he stole paintings from rich people who had to be considered white-collar criminals or he acted as a detective who derailed criminal schemes. However, when he was attacked, he could defend himself effortlessly by using elegant jujutsu methods. Among the guest stars were German actors such as Günter Strack and Sky du Mont. Jean-Paul Salomé said in his commentary on the DVD version of his film Arsène Lupin he had like this series as a child. German TV, one the investors, would broadcast the show eventually between 18:00-20:00 o'clock because it was only allowed to show commercials within that very timeslot. For them to get a financial return on investment the show had to be appropriate for families and also for children who would watch it alone. Subsequently it was nearby to ask to defuse and flatten some of Leblanc's plots in order to avoid possible complaints that could force the station to broadcast the show beyond the "Vorabendprogramm".