Anna Proclemer

Married for eight years with no children, Brits Katherine and Alex Joyce are driving to Italy, their ultimate destination just outside of Naples to sell the villa they have just inherited from his uncle, the villa where they will be staying during their time there. On the drive, they come to the realization that this trip marks the first time that they have truly been alone together, and as such don't really know one another in the true sense.

A race-car driver who's down on her luck is invited by her ex-husband's wife to stay at their plush villa. The two women form a bond, and it's not long before their mutual dislike for the husband culminates into a plan to kill him. As it turns out, though, they're not alone in plotting murder.

An aspiring actor discovers that his spacious new apartment comes complete with eight friendly ghosts.

A detective is assigned to investigate the mysterious murders of some Supreme Court judges.

Penniless noblewoman Carlotta agrees to marry poor gas station attendant Camillo in order to take possession of her inheritance, but only provided that he refines his manners in a Suisse boarding school.

In regional Sicily, Jana tries to repair her sister's marriage by going to a sorceress who makes up a love potion that will bring about the couple's happiness. But the spell only works on Jana herself...

The Robert E. Sherwood play 'The Petrified Forest' directed by Franco Enriquez broadcast by Italian state television channel RAI on 19 June, 1959.

For Arturo, a forty-year-old actor, success has finally arrived: the TV series in which he plays a separated father is doing quite well. Unexpectedly, however, comes the flipside of his popularity: Mirko, a boy who recently lost his father, has replaced him in his imagination with the character of Arturo. The media is going wild, and the presence of Enrico, the actor's agent, becomes increasingly pressing.

A daughter discovers her parents are far from being the rich bourgeois she thought they were.

The story of Luca, a young man with misguided ambitions, who wants to prove his abilities with a great feat, with a tragic gesture. Here, the story fits into and dissolves into that of Lee Oswald, who kills President Kennedy to go down in history. Brusati wants to portray a wayward youth driven by false heroic ideals.

Over the course of one day, a woman carries on a vacillating conversation with her lover over several phone calls. She is at times conciliatory, playful, teasing, remorseful, sad, manipulative, depressed, understanding, patient, desperate, manipulative, cloying, and finally accepting of his final farewell. It seems her lover has now found a younger more accomadating woman who will supersede the main character. It is quite sad how he has toyed with her over the years and the efforts she takes to please him, when clearly to him she is just a garment to put on when convenient or to use when lonesome and he really does not care for her. Very well written and acted.

Italian televison adaptation of Fyodor Dostoevsky's novel of the same name. Although it is to all intents and purposes a television miniseries, the rhythm of the acting is typically theatrical: the long dialogues, the acting style and the actorly interpretation make it a true example of episodic television theatre.