Ge Lili

Zhang Ziyi plays the youngest of three generations of women who leads lives in Shanghai. Joan Chen plays the great-grandmother, grandmother, and mother. The film recounts this family, the mistakes they make, and a cycle that the granddaughter breaks out of.

During the Chinese-Japanese war, an archaelogist finds the treasury of the Taiping Heavenly Kingdom, attracting the attention of the Kuomintang, the Japanese and the Green Dragon gang.

A taxi driver is ready to raise an infant abandoned in his cab in Beijing.

The story is based on the popular novel developed from folk legend. It goes that the Manchurian emperor Qianlong of China (circa 18th Century) was actually the son of a Han Chinese, the subject ethnicity. His brother of blood, Chen Jialuo just happened to be the chief of the Red Flower Society, an anti-Manchu secret society. Chen, a learned scholar, thought he could get his brother turn his back on the Manchu and restore the Han Chinese reign. But the story was ended by brutal clearence of the society members. It reflects one of the dark pages in Chinese culture, that ethics and humanity always become impotent when countered with power.

Taxi driver Xian Feng asks her husband Da Ming for a divorce. A legal technicality forces them to remain together.

An ancient curse falls on a young ginseng-gatherer in the remote mountains.

Wei takes the girl he slept with for his long missing daughter and kills her to keep the scandal in secret. But finally Wei dies because of his crime.

A boy is kidnapped but it is a case of mistaken identity.

Set in the 1930s, “Fortress Besieged” follows the misadventures of Fang Hung-chien, a bumbling everyman who wastes his time studying abroad, and secures a fake degree when learning he has run out of money and must return home to China. Fang was the son of a country gentleman. A marriage had been arranged for him while at university, but the intended wife died before he could see her.