Álvaro Guerrero

A fatalistic car crash in Mexico city sets off a chain of events in the lives of three people: a supermodel, a young man wanting to run off with his sister-in-law, and a homeless man.

When a Spanish Jesuit goes into the South American wilderness to build a mission in the hope of converting the Indians of the region, a slave hunter is converted and joins his mission. When Spain sells the colony to Portugal, they are forced to defend all they have built against the Portuguese aggressors.

When a last-minute chance to host the 1986 World Cup appears, a cunning Mexican bureaucrat, armed with nothing but guts and audacity, cons his way through FIFA to beat the United States, but in a country of power games, every victory has a price.

Mexico City, November 1901. The police raid a private home where a secret party is being held. Among those attending is the son-in-law of President Porfirio Díaz.

Cielo is a mother whose teenage daughter is kidnapped in Northern Mexico. When the authorities offer no support in the search, Cielo takes matters into her own hands and transforms from housewife into a vengeful militant.

Ana, a nine year old girl, arrives with her mother to an isolated beach with the intention to rest and to know the sea. There, she discovers that they are under a terrible threat, therefore she is obligated to look for help with her father in order to save her mother.

Though around them a criminal world seethes, Julie and Antonio are a young and loving couple with a new baby and a solid, white-collar sense of stability. But when a loose social connection suddenly ties them to a major political assassination, the two become innocents desperately trying to adapt to a world of murderous politicians and police that, moment to moment, threatens their lives

The film is a drama about the aftermath of the 1520s Spanish Conquest of Mexico told from the perspective of the indigenous Aztec people. It explores the social, religious, and psychological changes brought about by a historical process of colonization that both defined the American continent and is also highly reminiscent of today’s neocolonialism.

Two lawyers engage in a fierce battle, with one destined to lose their job, while the outcome hinges on the decision of the HR manager. Set in an intense and claustrophobic environment, the story delves into themes of labor exploitation, macho dynamics in workplace relationships, and the inherent human struggle for power, all portrayed with surreal minds and dark humor.

The husbands of a charismatic nurse devise a plan to free her from prison when she is arrested for being a polygamist.

Football captain Cristóbal discovers that his neighbor and classmate, Mariana, has changed a lot over the summer. Meanwhile, Luli is still as vain as ever and overshadows her poor brother, Fernando. As a new year begins at High School Mexico (HSM, initially interpreted), the school has announced a "Battle of the Bands" contest hosted by Jesse & Joy. Working against the clock and with limited resources, Cristobal, Mariana, and a few of their peers unite as a band. In a desperate effort, Luli dares the impossible task of separating Cristobal from his friends. But only one band will be the winner; the one who understands that teamwork, personal development, and hard work will not only make them better artists but also better people.

Composed of eight stories with comic overtones, all share the central theme of "love" and the extremes to which people will go to achieve it: unrequited love, deception and lust. They all offer a different take on the most difficult of human emotions: love.

A family crisis revealed through each member's bathroom intimacy.

After his wife is murdered by gang members, a man must take revenge.

A retired radio host bags groceries to earn money to attend his former employer's anniversary party, where he hopes to reunite with the love of his life.

A crooked CEO is kidnapped and nobody cares enough to pay his ransom.

Five stories blend with love, sex, the emptiness of being unloved, passion and desire: Carlos and Susana go to some uncle´s apartment to make love. Meanwhile, Benito, an 80-year-old, performs a serenade to his wife. His neighbor Adela is told that her mother has Alzheimer and that she will be relocated since the Buenos Aires building she lives in will be demolished. Amado catches his son Carlos stealing his money. Gabriel asks Martha´s parents for her hand in marriage but they condition them to get married at their favorite church. And Patricia, 40, a creative agent, sexually abuses Joel, who directs a beer commercial.

A man loses his job an his girlfriend, but he really wants to start dating his best friend.

They are not wild and crazy anymore, or at least they think so. Now, thanks to an offer nobody can't refuse, they will try to recapture that old rock and roll magic and give themselves a second chance.

In Guita Schyfter’s El águila y el gusano, an intricate plot serves to intersect the destinies of several characters: the owner of a beauty salon in love with “all things Chinese”, a politician with a taste for oration who couldn’t care less about the problems of his country, a political adviser whose counsel is never considered and a shady investigator with a name that nobody seems to recall. The script by Schyfter and Hugo Hiriart, her longtime collaborator and author of the 2013 novel on which the film is based, bristles with finely-crafted, hilarious dialogue.

Dr. Alexanderson finds an unconscious young man by the doorstep of his cabin. He will try to piece together the man's broken memory without knowing the dangers his family and friends will be exposed too

In a small town where nothing ever happens, the inhabitants learn about a place at the edge of the earth where money and women are abundant. When they see the oportunity to go and work illegaly in the United States, they jump at the chance. Meanwhile Andrés and Gregorio go to the town searching for treasures and they only find Matilde, the rest of the women in the town left, tired of waiting for the men to return.

La mujer de Judas is a Mexican telenovela produced by Maricarmen Marcos for Azteca. It is based on Venezuelan novela of the same name. It stars Anette Michel, Victor Gonzalez, and Andrea Marti. It replaced Cielo Rojo on January 13, 2012. Adapted by Paz Aguirre and Gabriel Santos, this adaptation is supervised by the original writer, Martin Hahn.

After a devastating loss, Esteban “La Máquina” Osuna is at a low point in his boxing career. Lucky for him, his manager and best friend Andy Lujan is determined to get him back on top. But when a nefarious organization rears its head, the stakes of this rematch become life or death. Esteban must juggle his own personal demons and protect his family.

The First Lady of Mexico has big plans to improve conditions for the country. As she starts to lose faith in her husband, President Diego Nava, she finds herself at a crossroad where she will need to find a way to deal with a great challenge.

Left in a wheelchair after a crash, Santita leaves the love of her life at the altar. Twenty years later, he returns with a request that changes everything.

Don Gil seeks out Veneno, a former soccer legend, to save his team, Las Navajas FC, from an adversary as they compete for the championship.