Peggy Parnass

On the brink of her 30th birthday, Fanny feels the door to marital happiness closing on her. She is obsessed with death and even visits evening classes on dying, so it seems fitting that she encounters a skeleton in the malfunctioning elevator of her apartment building. The skeleton is her neighbour Orfeo, a Black, gay, self-declared psychic, who convinces her that she is about to meet "him". But is it really Lothar, the new yuppie apartment manager ...?

Berlin Film Fest 1984. The best place for every cinema fan. Everyone wants to be in on the festival, but that may be really difficult, if one has no accreditation. Also Journalist Matthies gets to know the rules of being in or out when he wants to see a screening and is not welcome. Thus he watches an old German silent flick which he is barely interested in. The next day the newspapers are full of reports about a newly discovered German masterpiece from the silent era. It seems that Matthies had luck. He just saw *the* film everybody is talking about now. Also everybody is speculating about its director, who remains unknown. When Matthies talks to Ackrewa, an old befriended projectionist, about the film, the latter seems to recall the name of the director. Matthies decides to research the case. An odyssey into film-history begins and if it is successful Matthies will come up with a top story.

Story concerns two friends, Freya and Irmtraut and their relationships with the same man, Traugott, who finds it impossible to choose between the two women.

September 1943: the Special Court of Oldenburg pronounces a verdict against an office courier. The man was found guilty of absconding two bars of soap and a tin of shoe polish. As a dangerous public enemy, he is sentenced to death. More than 16,000 death sentences were passed by the Special Court and the People's Court during the Nazi era. And the judges and state prosecutors who perpetrated these injustices were back on the bench after 1945. Peggy Parnass, a Jewish journalist and a relative of victims of Nazi injustices, experienced this continuity and described many of its ramifications in more than 10 years as a court reporter. The film follows her radical, subjective viewpoint and her incredible encounters with Nazi jurists in today's courts of law.

The film tells the story of Peri, a concentration camp survivor who lives in Tel Aviv and sets out in search of his former fellow sufferer Bach.

Impudence wins! The cheeky impostor with a secondary school diploma pretends to be "successful" as a court expert and senior physician. TV-docudrama featuring Uwe Bohm

The musician Udo Lindenberg (played by himself) is kidnapped during the party after a concert. Nobody realises this until the next day, when he doesn't show up in time for a rehearsal. Since the police believes this is only a promotion gag, private eye Kuhlmann (also played by Udo Lindenberg) has to be hired to find him in time.

Both live in a tower block. He is a young office assistant, she an ageing stripper. Their lives don’t cross until that one day when they meet twice.

1919. Released from the teacher training college, Joachim Hofer takes up his first job as an assistant teacher in an Alsatian village. But only a few students come to class in the pigsty converted to school.

Das Kriminalmuseum was a German television series. It ran from 1963 to 1970 on ZDF and was one of its first programs. Each episode began with a tracking shot through an unspecified crime museum, stopping at one of the displays, whose story was then told. Each episode was between 60 and 75 minutes long and featured different actors as the criminal commissioner. The best known was Erik Ode, who in 1969 moved to Der Kommissar, appearing in 97 episodes. The theme music of the series was written by German composer Martin Böttcher, who also composed the complete scores for five episodes.

Stahlnetz is a German television series.