Ebrahim Azizi

An unassuming mechanic is reminded of his time in an Iranian prison when he encounters a man he suspects to be his sadistic jailhouse captor.

Bahar is an acclaimed Iranian director, having made numerous films selected in international festivals. So when she casts actors and asks them to wear women’s outfits for her latest film, they agree in the hope of an international career — or even a visa to leave the country. But wearing skirts and headscarves under the heat is harder than they expected … as is the hit to their pride.

A thief who is burglarizing gets surprised by the host and commits a brutal murder. He runs away but realizes that something is following him.

A young woman camps alone on a quiet island. After limited yet intriguing interactions with others and a time where dreams and reality blur, she returns to Tehran. The coastal landscape reflects the woman's inner journey.

It is possible to hide an event not out of cunning but out of fear that it will be revealed.

On Wednesday morning, the ex-chef and current driver, Kiomars, pulls out his wisdom tooth and gets into strange adventures with a strange traveler.

When a young woman gets the chance to have a conjugal meeting with her imprisoned husband after a long time, ​she decides to re-experience a romantic time in the apathetic and harsh atmosphere of the prison.

Shirin, Ahmad's wife, plans to travel to France. This trip is about academic progress and Shirin must have her husband's permission to go abroad. Hamed does not give permission to his wife to leave the country. Shirin comes to Tehran to ask her brother-in-law, Yussef, for help her to leave. Yussef talks to Ahmad, but Ahmad still does not give permission to Shirin to leave the country. On the other hand, Shirin's time to apply for the university is running out. now Shirin asks for separation and plans to leave in another way. Shirin's departure from the new method has many contradictions with the approval of her family, especially her father.

Mahboube, a woman in her early thirties, enjoys a solitary existence. But her world is turned upside down when she lets a film crew into her home for a week-long shoot. First, she sees the objects that comprise her physical life used without thought or care. Then, the filming process affects her on a deeper level, forcing her to come to terms with the ghosts of her past and her place as a woman in Iranian society.

Thrown back into a dusty 1980s and the height of the Iran/Iraq war, the film is a meditation on the cycles of violence and war and their infectious qualities. Clean, architectural sets are washed over by rivers of blood, as historical grievances are played back like excerpts from a documentary.

The subject of the series the Iranian nuclear project and spy services