Sergey Dyakov

A story of three estranged sisters, Irina, Olga, and Maria, who are brought back together following their father’s death to run his car service business. It was their father that had driven them apart, but now they must resolve their issues in order to manage a team of forty men in a business they barely know or understand. The situation is further complicated by the fact that the sisters are very unlike. Irina is a self-made businesswoman from Moscow, Olga is an airy and impractical literature teacher from a small town and Maria is a hairdresser from Saratov, who dreams of earning a lot of money but is forced to live with her alcoholic husband.

March 1944. At the front, the Red Army is conducting a confident offensive. The Allies are about to open a second front, and it seems that the final defeat of Nazi Germany is very close. However, the joy of the coming victory is overshadowed by a series of daring and brutal murders. No one has ever managed to see the bandits up close. According to the scant testimony of random eyewitnesses, the composition of the attackers is constantly changing. And every time they leave portraits of the dead at the crime scene. For these drawings and cruelty, the gang was nicknamed "Death's Head", and its leader was called an Artist.

Yug Kipen is a tight—lipped, modest boy raised by his grandmother. Yug's mother died when he was three years old, and he never saw his father. Everything changes when, on his 14th birthday, Yug discovers the money his father sent in his grandmother's closet. From this moment begins the story of the great journey of the South in search of his father. Potential fathers are scattered all over Russia. The South will have to cross the whole country to meet everyone. He will visit the most beautiful corners of our country, and of course, he will see the main attraction of Russia — people! It is not easy for a 14-year-old teenager to make such a journey, in principle, and even more difficult for the South, because he has a bunch of phobias that he will have to overcome every time.

Moscow, year 1982. Scientist Matvey Pyotrovsky creates a time machine and conducts a scientific experiment, which divides the apartment in two parts. It's first part is left in the 80-s with the professor, while the second one is transported to year 2020 to a modern family: businessman Sergey, his wife Svetlana and daughter Kristina. This kind of coliving creates a lot of trouble for everybody, since layering of two times means each of the families has lost access to the other part of the apartment. But problems don't end there: inventor's grandson Pavel, after waiting for 38 years, tries to prevent one tragic incident.

A journalist of a small provincial newspaper Yura has been writing unremarkable news of his hometown all his life. But suddenly an event happens to Yura that turns his whole life upside down — visions come to him that predict murders secretly and unnoticeably taking place in Rybinsk. Soon the situation is complicated by the fact that in one of the cases Yura becomes the main suspect.

Terminally ill surgeon Kirill finds a job in a clinic where doctors struggle with supernatural phenomena. The only way to survive is to show his best side and convince the new management that the hospital needs him. Kirill plunges into the intricacies of the relationships of people, witches and demons, increasingly doubting that he is able to correctly determine who exactly represents good and who is evil here. The diagnosis is imperfect, and the enemy may be someone who initially did not seem to them. To avoid such mistakes, Kirill and his colleagues will have to spend a lot of time studying the circumstances of patients' illnesses.

Denis Dubov is a professional cleaner: he cleans crime scenes and gets rid of traces of murders, so he knows too much. But even taking refuge in a small southern town, he continues to attract trouble. So on his doorstep there is a thunderstorm of local crime, a harsh but fair investigator Diana and her not the smartest, but persistent assistant Hajdukov. And to prove his innocence, the cleaner will have to challenge the entire criminal district.

On August 24, 1981, the newlyweds Larisa and Vladimir Savitsky stepped on board the plane following the flight Komsomolsk-on-Amur - Blagoveshchensk. 30 minutes before landing, the civilian aircraft AN-24 collided with another aircraft and broke into pieces at an altitude of more than 5 kilometers above the ground. No one was supposed to survive ... but a miracle happened. Larisa Savitskaya woke up in the middle of the wreckage of the plane in the impenetrable taiga. Now she herself had to create a real miracle, which only a strong-minded person is capable of.

The touching drama “The End of the Season” tells the life story of three sisters and is inspired by the same-name play by Anton Chekhov. Vibrant and compelling characters are performed by an all-star feminine cast: Yuliya Peresild, Yulia Snigir and Anna Chipovskaya.

By the age of twenty, Eduard Streltsov has everything one can dream of: talent, fame and love. He is the rising star of Soviet football. The whole country, with bated breath, expects victory from the national team at the upcoming World Cup where Streltsov is to face the great Brazilian football player Pelé. However, two days before the departure of the team, the sportsman’s enemies manage to destroy his career. When the door to big sport seems to be closed for good, Streltsov has to re-enter the field and prove that he is a true champion who is worth everybody’s love.

Nadia made her choice all her life with an eye to pleasing the environment, and by the age of 45 she was at an impasse. On the one hand, she has everything that many do not have - a family, work at the university, status. On the other hand, she does not feel that she is living her own life. But violence against one's inner world cannot go on forever. After her husband's betrayal, Nadya realizes that she cannot continue to live like this. At this moment, her niece Alena, who is fond of stand-up, moves into her apartment and encourages her aunt to change. Gradually finding harmony with herself, Nadia begins to change for the better. But will Nadia be able to defend her right to be herself - to dress the way she wants, do what she loves and meet a young guy - when relatives, friends and colleagues believe that she violates social norms and do everything to prevent this from happening?