Shinjirō Ehara

A university student travels to a popular resort in the mountains for a summer job as a waiter and becomes romantically involved with an older woman from a wealthy family.

G-men challenge a jewelry smuggling ring. The chase starts in Kyushu and continues to Kobe to Yokohama.

After a salary-man's fiancée attempts suicide, he recounts his gruesome family history which saw generations of his ancestors suffer and sacrifice themselves for the sake of their cruel lords.

Sabu and his pals hold a pauper's funeral for Sabu's mother. His brother Jiro arrives home, fresh out of jail, and Sabu pointedly states that Jiro is not invited. Jiro meanwhile is planning a big job - steal 40 million in cash and drugs, and he invites Sabu and gang to act as decoys, for 50,000 each. The sting is a success, but the double-crossing starts almost immediately. Sabu discovers how little of the take they were promised and hides the stash. Jiro and his slimy partner pressure the kids to fess up. Meanwhile, their respectable elder brother Ichiro is being leaned on by the town's big boss, whose money it was.

In a village subsisting on its herring fishery, a one-eyed criminal named Jakoman terrorizes the inhabitants. One of them, the son of the head of one of the fish companies by the name of Tetsu, decides to overthrow Jakoman and his cohorts.

A gang plans to steal twenty billion yen by safecracking tactics; however, they discover that one of the gang members is an infiltrating cop.

A tale of three Yakuza gamblers who traveled Japan during the samurai era living by their wits and sword skills. Told in 3 separate vignettes, each part tells the story of a different drifter’s life. Part 1: A man is on the run after killing two Hasshu Officials to avenge his Boss. He must make a life or death decision as he is asked to protect a gang from attack. Part 2: A pair of gamblers chased out of a crooked game must fight not only their pursuers, but the ghosts of their pasts as well. Part 3: A wanderer who wants to live according to the Yakuza Code, but is not sure that he can do so when asked to save a town from an evil official.

Based on a 1956 television feature on Japan’s national network, NHK, this is one of Uchida’s rarest films. A socially conscious drama with a contemporary backdrop, Dotanba focuses on the attempts to rescue a group of trapped miners. The title is a figure of speech — (essentially “last minute” or “eleventh hour”) — that refers to a situation of peril. The film boasts a script co-written by Uchida and Akira Kurosawa’s frequent screenwriter, Shinobu Hashimoto, and stars Kurosawa’s frequent star Takashi Shimura.

Gisuke Hayashida is an illegal dentist during the day and a burglar by night. One night during a burglary he witnesses a train derailment. Some communists are found guilty of causing the incident, but he knows it wasn't them. He can save innocent people but for that he must confess his own crime.

In the fourth installment, Musashi's potentially greatest opponent Kojiro jumps in and out of the story at the oddest and most coincidental moments. As his great love Otsu has succumbed to madness. Musashi then sets off to beat the functionaries of a treacherous clan in an arranged duel. 73 against one. Boastful Kojiro watches, secure in the knowledge that only he is a worthy opponent.

Ishihama is planning a casino robbery with his wife and mother-in-law. They meet a man named Tsuneda who is planning the same robbery and agree to work together.

A story of the skilled brain surgeon, Todo, whose talent and ambition are put to test through a series of high risk surgical procedures.

A hunchbacked caretaker presides over a forlorn mansion inhabited by the ghosts of his previous masters. An unbelieving trio (a doctor, his assistant and his niece) fail to heed the caretaker's warnings and are slaughtered horribly by the jealous occupants.

Director Jun'ya Satô's debut film focuses on the inhuman training of recruits, the brutal drill system that reigned in the Japanese army during World War II, where in the first two years of training, ordinary people were turned into inhuman killers. For his first film, the director was awarded the Blue Ribbon Awards in the Debutant of the Year nomination.

As the Japanese military has established the puppet state of Manchukuo and is advancing its invasion of Asia, fighting intensifying battles against anti-Japanese partisans, the Godai zaibatsu becomes involved in large-scale opium smuggling. Shunsuke, second son of the Godai family, falls in love with a married woman. Meanwhile, Kohei, the love of the second daughter, Junko, throws himself into the anti-war movement.

Junai Monogatari AKA Story of Pure Love is about two poor youths, Mitsuko and Kando, rebelling against society in various ways, who are desperately trying to be together despite tortuous circumstances. The film depicts their lives as thieves, menial laborers who can get little pay, society outcasts, and of course, lovers. Junai Monogatari depicts, mostly, their struggles within the Japanese reformatory system and Mitsuko's worsening sickness.

A war widow determined to clear the name of her disgraced husband, who was court-martialed for desertion and executed. Official records have been destroyed, and the ministry that distributes benefits continues to deny her a pension. Twenty-six years after the war, she seeks out four survivors of her husband's garrison. Each tells a dramatically different story about her husband's conduct, but she is determined to learn the truth.

After World War II, their town was a pile of rubble. Gennosuke, the second generation boss of the Kamizu Group was upholding yakuza chivalry by keeping black-market and illegal items out of their open-air market. Taking advantage of the mess, Iwasa and his gang take hold of goods from the US military, black-market and controlled items in order to become the most powerful group in Enko area.

After his home gets attacked by a rival gang, underworld boss Masamichi Omatsu finds himself in a tangle of familial and criminal obligations.

Goro has always been a lone wolf. When he arrives at an industrial city in Keihin, there is certain restlessness in the air. The Iriezaki family and the Kanto Touyu-kai were in the midst of a territorial dispute. Goro was quick to notice, but had no intent to take sides. At a department store nearby, he sees an elevator lady being harassed by a couple of hoodlums. Goro decides to intervene. Unbeknownst to him, the hoodlums are Touyu-kai members – and the girl has strong ties with the opposing family.

Though he has come from a rough background on the streets, Muraki quickly rises through the ranks by means of his well-honed blackmailing instincts. Desperate to keep rolling with his freewheeling lifestyle, Muraki sees his luck begin to crumble when he sets his sights on the business partners of a powerful gang boss.

Vice Admiral Takajiro Ohnishi could see that Japan's defeat in WWII was inevitable. He came to realize that the only way to force a negotiated solution was to convince the Americans that invading Japan would cause massive casualties on both sides. The cold logic of suicide attacks, where one man and one plane could kill hundreds, seemed the only solution. In one of the cruel ironies of fate, Ohnishi actually succeeded; he convinced the Americans that invading Japan would be too costly in lives. But what he could not foresee was that America had another way of ending the war.

The story chronicles the life of Hōjō Masako during the Kamakura Period.

Continuing the tradition of the Yojimbo movies, Mifune Toshiro stars as Toge Kujuro, a wandering ronin searching for his own fame and happiness. With a sense of justice, he travels the countryside, with his motley collection of outcasts - a pistol-carrying ronin, a two-bit con artist and woman seeking revenge, following close behind, unwittingly righting wrongs and protecting the common man.