Ladislav Farkaš

In a small town in Nazi-occupied Slovakia during World War II, decent but timid carpenter Tono is named "Aryan comptroller" of a button store owned by an old Jewish widow, Rozalie. Since the post comes with a salary and standing in the town's corrupt hierarchy, Tono wrestles with greed and guilt as he and Rozalie gradually befriend each other. When the authorities order all Jews in town to be rounded up, Tono faces a moral dilemma unlike any he's known before.

March 1945. It is already quite obvious to the Nazis that they cannot win the war. So it is time to think about the future after the war and to cover their tracks. One concentration camp must be completely cleared out and the prisoners buried in the mines. Only the mine-hunters remain - among them Ernest, a veteran of the Spanish Civil War from Vienna, and Kim, a resistance fighter from Prague. One day they decide to escape with the other prisoners, but they are betrayed and most of the escapees are shot. The pair of heroes are not alone, however, and on the way they are joined by a guard dog from the camp that Kim used to feed. In the coming days, Ernest leads young Kim through the unrelenting cold on his journey to freedom, teaching him that there is only one rule to follow in this time - kill or be killed.

A television film, an adaptation of Vladimír Mináč's first novel. The dramatic story of two brothers during the Slovak National Uprising provides artistic testimony to authentic events from the Slovak mountains in 1944.

Biographical film about the work of the young Klement Gottwald. The story depicts his stay in Banská Bystrica, where he edited the Slovak communist press and helped organise the communist revolutionary movement.

Slovak psychological drama from the end of World War II. The plot of the film takes place in a short period of time just before the outbreak of the uprising. It is the story of a man who wages his "private" war against the man who is responsible for the serious injury of his brother. The upcoming Slovak National Uprising becomes the backdrop for a model-built story that touches on stubborn personal revenge in a situation of war conflict, when human life loses all value. The actions of the main character thus sound like increasingly absurd actions, his motives and the impact of his actions are relativized, the very legitimacy of such a belief appears shaky.

A comedy about three flirtatious woodcutters realistically capturing Slovak village life and criticizing insincerity, hypocrisy and male pride.