Matthias Fuchs

A young Catholic priest from Boston confronts bigotry, Nazism, and his own personal conflicts as he rises to the office of cardinal.

Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.

Prüfstand VII is a 2002 German docudrama film directed by Robert Bramkamp, about the V2 rocket and the rocket research in the Peenemünde Army Research Center. The film deals with the history of ideas surrounding the rocket research and the conquest of space, with Bianca as the spirit of the rocket guiding the viewer around different aspects of rocket research. It is partly inspired by Thomas Pynchon's novel Gravity's Rainbow and features dramatization of some selected scenes from the novel.

A couple of stories revolve around the last days of a stripclub called 'Mau Mau'.

In 1939 German U-boat captain Günther Prien receives orders to infiltrate the British Royal Navy base at Scapa Flow and sink British warships.

Frau Emma Küsters prepares dinner late one seemingly-ordinary afternoon in her seemingly-ordinary Frankfurt kitchen. She wants to add canned sausages to the stew; her irritating daughter-in-law thinks otherwise. But the point is moot: Ernst Küsters has not only murdered the personnel director at the soap factory where he's employed but succeeded that by committing suicide.

Fritz Haarmann, who has killed at least 27 boys, is questioned by a psychology professor in order to find out whether he is sane and can be held responsible for his crimes. During this interrogation Haarmann reveals his motives and his killing methods.

Granny Jantzen lives with her three granddaughters Dick, Dalli and Angela on the small pony farm Immenhof in Northern Germany. Since the breeding of ponies isn′t profitable anymore, Granny Jantzen is struggling to keep the family property. During the summer break , young Ethelbert is spending his holiday with his cousins at Immenhof. While Angela has fallen in love with the wealthy land owner Jochen von Roth, Dick and Dalli have to put up with bigheaded urbanite Ethelbert.

A mother is sentenced to one year in prison for matchmaking her underage daughter with her adult boyfriend.

A biography of Auschwitz commander Rudolf Höss.

Eva, an upper-class housewife, frustratedly leaves her arrogant husband and decides to enter the call girl business. She lets Yvonne, a prostitute, teach her the basics and both set out for prey together, until Eva starts an affair with Chris, who turns out to be a call boy, as well. Consequently, she moves into his penthouse, large enough for both to offer their services separately.

The year is 1997, and World Peace seems to have come, with most classic weapons of mass destruction having been abandoned. However, orbiting the Earth there is the European/American space station FLORIDA ARKLAB, capable of controlling the weather at any location on the planet underneath. A civil project by nature, it might be abused as an offensive weapon, since it could deliver devastation to any potential adversary simply by creating natural disasters such as storms and floods. No wonder the space station soon becomes the central point in rising political tensions between East and West, next stop World War 3 (as indicated by the tagline "The end of our future has already begun"). We follow the main protagonist Billy Hayes, an astronaut aboard the station, as he wades through a plot of secrecy and sabotage trying to tell friend from foe in the process.

F.M. discovers that different sonic frequencies induce different patterns of behaviour in listeners, first in his own studio but later in the local "H-Burger" restaurant where the passive muzak appears to be wiping people's emotions.

Her only foray into science fiction—about the havoc wrought on society by a television that satisfies every human craving—The Last Days of Gomorrah was a favorite of Sanders-Brahms, who brought feminist politics to the New German Cinema movement of the 1970s. It is a forceful piece of capitalist realism, critiquing working-class alienation and commodity culture.

The Immenhof has been closed by officials, awaiting auction. In the meantime, Angela has died, so Jochen is now a widower. Oma Jantzen and Angela's younger sisters Dick and Dalli live with him in the forester's house. In order to save the manor house, Dalli has started a "pony circus" with the village children in the barn, while Dick has given up hope of Ethelbert ever returning.

In a town in Connetticut in 1906, newspaper publisher Miller has problems with his sixteen-year-old son Richard, who reads Wilde, Shaw, Swinburne and Ibsen. Richard loves the neighbor's daughter with touching naivety, which the neighbor finds sinful. The problems of puberty are solved idyllically with a great deal of understanding and bourgeoisie. The everyday life of an average family with small disasters and small victories oscillates between heart and sentimentality and the wilderness of awakening love is nothing more than a teasing maze.

Business tycoon Rotwang has been murdered. In a series of intertwined, loosely connected flashbacks, the film recounts the ludicrous events leading up to the bloody deed, while also pursuing some bizarre side plots. There are many possible perpetrators because everyone agreed on one thing: Rotwang had to go! Whether it was his wife Clarissa, the former RAF terrorist and current fashion guru Arthur Eigenrauch, or the rustic snack bar owner Udo Ringeltaub—they all had a personal or professional reason to eliminate Rotwang.

In Hamburg, the police are faced with a mystery after a series of burglaries: there are no clues at the crime scene except for a Japanese character. The characters are soon found all over the city. A retired detective and a journalist finally uncover a huge conspiracy that goes back to the Japanese Middle Ages.

Tatort is a long-running German/Austrian/Swiss crime television series set in various parts of these countries. The show is broadcast on the channels of ARD in Germany, ORF in Austria and SF1 in Switzerland.

A police department, lead by an older, experienced detective solve crimes together.

Derrick was a German TV series produced by Telenova Film und Fernsehproduktion in association with ZDF, ORF and SRG between 1974 and 1998 about Detective Chief Inspector Stephan Derrick and his loyal assistant Inspector Harry Klein, who solve murder cases in Munich and surroundings.

Follow the everyday work of a fictional police station on the Kiez of Hamburg.

Wolffs Revier is a German television series.

Der Fahnder is a German television krimi series which was aired between 1984 and 2005. In the Netherlands the series was broadcast by the VARA from 3 October 1985.

Doppelter Einsatz is a German television series about the cases of two female detectives of the Hamburg police.

Peter Strohm is a private detective with radical methods. His work begins where police work ends; he takes on sensitive cases that require a certain scale, or explosive situations that can lead to international crises.

Rosa Roth is a German television series.

Die Cleveren is a German television series that was produced from 1998 to 2003 on RTL. It is about a nation wide special unit of the German Bundeskriminalamt, dealing with serial offenders. The main characters are the profiler Dr. Dominik Born and a policewoman of the BKA, who co-ordinates the necessary steps to be taken by the local police authorities.

In late 1920s Berlin, Franz Biberkopf is released from prison and vows to go straight. However, he soon finds himself embroiled in the city’s criminal underworld.

After the tragic loss of her mother, the medical student Christine Berger takes a job as a supervisor for the young Countess Leonore von Hohenstein, who suffers from a heart disease. Leonore's husband Gregor and Christine are drawn to each other from the first moment, but both are aware of the impossibility of their love and try to suppress their feelings.