Angela Figueiredo

Malhação is a Brazilian television series for the teenage audience. The soap started in 1995, and was set in a fictional Gym Club called Malhação on Barra da Tijuca, Rio de Janeiro. Through the years the location varied slightly. Although the name of the soap remains the same, it is now set in the Múltipla Escolha High School.

After a family tragedy, the sweet Dulce Maria is cared for by kind nuns at a boarding school. But things change when Dad comes back into her life.

In the tiny poor town of Asa Branca, in the middle of Brazilian Northeast, Roque Santeiro is worshiped as a saint. He was supposedly killed by a bandit, 18 years ago, trying to save the local church. After his disappearance, local leaderships such as landowner Sinhozinho Malta and mayor Florindo, took profit on that to control the humble population. They even make up a widow, Porcina, who should have married Roque secretly before his death. What they don't expect is that Roque is alive, and he's back to, allegedly, "save his people". Now Malta, Florindo, Porcina, and others must hold him down and explain the "truth" to their commoners, in a desperate attempt to save their own bottoms. Meanwhile, mysterious facts surround Asa Branca, such as a Werewolf, a film crew who are trying to shoot a movie about Roque's story, and violent murderers.

Cousins ​​Charlô and Otávio once had a romance, but today they detest each other. However, fate plays a trick on them: they will receive a large inheritance, on the condition that they live together.

Helena and Luciana are two supermodels with completely opposite personalities: the first is stormy and spoiled, while the second - being older - is patient and restrained. Their fate changes when Helena becomes involved with Marcos, Luciana's father, an older man recently divorced from a former model, Tereza, who does not accept the end of the marriage.

Maria Esperança is a Brazilian telenovela produced by SBT and originally broadcast from March 26 to August 7, 2007. It is a Brazilian adaptation of the Mexican telenovela María Mercedes (1992), created by Valentín Pimstein and based on the original story Enamorada by Inés Rodena. Adapted by Yves Dumont, with text supervision by Henrique Zambelli and Thereza di Giácomo, the telenovela stars Bárbara Paz and Ricardo Ramory. The story follows Maria, a humble young woman who sells flowers on the streets to support her family. Her life changes when she meets Eduardo, a wealthy man who marries her to protect his inheritance and challenge his greedy relatives. After his death, Maria becomes the heir to his fortune and faces the hostility of those who want to take everything from her. Amid secrets, betrayals, and family conflicts, she discovers love and learns to fight for her happiness.

Millionaire Frederico Berger grapples with the trauma of a tragedy. The arrival of his housekeeper, Flávia Cristina, unjustly accused of a crime, transforms everyone's lives.

The plot revolves around a love triangle between Rosemere, Rafaela, and Herbet Alvaray. They are unaware of the same man's presence in their lives and, due to fate, become friends.

The story revolves around the conflicts within Silvana and Oliva's family—her mother and paternal grandfather—who are fighting for custody of Zeca after the child's father dies.

Christian and Renato are identical twins who have opposite lives: Christian grew up in an orphanage and is underemployed, struggling to survive. Renato was adopted by a rich family and had everything that money can buy. When they meet again as adults, a tragedy happens: Renato is murdered and identified as Christian who, in turn, takes the place of his brother. However, to this end, he must leave behind his identity and his great love.

Between comings and goings in time, over 8 decades, the story of a poor country girl who fulfills the dream of becoming a great star, always in search of her truth.

A photographer falls in love with a rock singer.

"Seven women on motorcycles, through Via Dutra, go to the Baixada Fluminense, a microcosm of Brazil. Diving into the memory and questioning the behavior imposed on women, they seek to rescue the strength of the feminine. The new woman, born in the Brazilian land, incorporates the Amazons and Santa Guerreira. At his side, the new man, more loose and creative. Closing the cycle, the initial road is resumed. " (HBH / QC)