Mahmoud ElLozy

The Maid, a short narrative film, examines the moments in which we are forced to understand that other people are real in the same way that we are. Rasha is an Egyptian housemaid, who is not so skilled at her job. When her suspicions about her employer are confirmed, Rasha must come to terms with her perceptions of trust, duty, and her place within the family household.

The events revolve around three eras: the Pharaonic era, the Mamluk era, and the first half of the 20th century. The events revolve around corruption and the power of some clerics over the ages to power and false and bad dealings with the people, and how to involve religion in politics in order to obtain positions. That there are clerics deliberately coloring and counterfeiting in this period of time to be the strongest and maintain their positions.

A stream of consciousness, a journey, a wonder of human beings, life and the world, of the corporeal and what can not be seen, but there is. A woman traveling around the world. We follow her to Ireland, Iceland, India, Spain and Egypt, where she faces both real and fictional people.

Single coworkers at a radio station are brought together by mutual friends, but their starry-eyed notions about love may scuttle their romance.

Upon his return to Alexandria, Khaled becomes intrigued with a graffiti mural opposite his apartment. As he pursues this further, a larger underground arts scene slowly reveals itself, composed of musicians, filmmakers, and graffiti artists. As they struggle to get their voices heard, Khaled is compelled to help them acquire some much deserved visibility.

The events of the film takes place on new year's eve of 2009 in the Red Sea at a resort near the city of Hurgahda inside the world of the wealthy where difficult situations and crises happen when they get together.

8 characters skew lifelines that never really intersect in the suburb of Heliopolis in Cairo within a frame of time of 24 hours all in a very stagnant state and never achieving goals.

An enthralling look at the relationship between America and the Arab World from an Arab perspective. It tells the story of Yehia, a renowned Egyptian filmmaker whose life has been shaped by a pair of disrupted love affairs, one with an American woman named Ginger, the other with America itself.

A couple's relationship experiences some ups and downs as the societal pressures put upon them get increasingly burdensome.

Youssef, a student at the Faculty of Fine Arts, responds to the call of talent and love of drawing against his family's wishes.

Fares who managed to build his fortune from scratch using illegal methods goes through a tough phase in his life as his investment companies go bankrupt and his marital life becomes a total mess, and he has to find a way to save both.

Set against the backdrop of the unrest during the pre-revolution period of January 25, 2011, by following the stories of six relationships in different stages that express ambition, happiness and disappointments, that are connected with Asham , a street vendor, who expresses optimism about Egypt's future.

Al-Gama'a is an Egyptian television drama, Historical and Political drama series written by Wahid Hamid, directed by Mohammed Yasin and produced by Kamel Abu Ali. The series began filming in January 2010 with a budget of 50 million Egyptian pounds. The show deals with the rise of the Muslim Brotherhood, Egypt’s largest Islamist political group, which was officially banned but nonetheless tolerated to an extent before the revolution. Critics have decried the show's pro-government stance, charging that it plays into the Egyptian government's agenda prior to the 2010 Egyptian parliamentary elections.