Patricia Torres

Brothers-in-law, Eduardo and Sabonis, married to sisters Cuca and Peque Ribeiro, have made a real mess of one of their business ventures and are in need of money, a lot of money. It will be Sabonis who, in one of his uncontrollable fits of rage, comes up with a plan to fix all their problems in one go: kidnap Modesto, brother-in-law to Alicia Zamora, the businesswoman who screwed them over. There’s just one problem: Alicia has no intention of paying even a penny to get her brother-in-law back. In the end, it will be Modesto himself who comes up with a new plan to help Eduardo and Sabonis get the money they need to save the family wine business. What they don’t know is that police officer Mati, the Ribeiro’s middle sister, is on to their little plan. Eduardo, Sabonis and Modesto have everything to lose, but as Sabonis would say, what could go wrong?

This new adventure of the brothers-in-law begins with the appearance of a corpse right in the middle of the Tui international bridge. This fact comes from what happened a few days ago... Carnival arrives and the Ribeiro family prepares to enjoy the favorite festivities of every good person from Ourense. Two years have passed since the arrest of Alicia Zamora and her Portuguese partner. The brothers-in-law have set up an octopus stand in Ourense, the perfect way to launder the riot money that fell to them from the sky (literally). Between one thing and another, Modesto has become another brother-in-law in the family. The appearance in Ourense of Andreia Nunes (the partner of the detained Portuguese) in search of revenge will complicate things for the brothers-in-law, getting them into a new mess that will turn this Carnival into a real masked ball.

The powerful story of a land preserved in time, yet poised on the cusp of dramatic change. The nation’s vibrant culture, meticulously maintained colonial architecture, and pristine ecosystems provide a vivid window into the island’s history and spirit. Audiences are transported across breathtaking landscapes, under the ocean surface to iridescent reefs, and into streets throbbing with music and dance in the heart of Havana. Through the eyes of Cuban artists, historians, and scientists, the film provides an intimate look this vivacious island nation.

When high school teacher Tomás finds the bloodied, dying mayoress of his hometown high up on his local cliffs, he not only becomes obsessed with the case but turns into its first suspect. Though solving the case is local cop Maite's job, Tomás doesn't care if his own private investigation gets in her way. Solving the case might just give Tomás' life the purpose he has been silently dreaming of for so long. Though clashing more than once, the two of them come close as can be to finding the murderer: Norma, Tomas' very own physiotherapist. She killed the mayoress in a fit of rage after finding out one of her many dark secrets - one that lies many years behind but one that has deeply affected her and her family. A twist of fate has it, however, that Norma remains undiscovered; her former fear and powerlessness turn to empowerment and confidence. Then a second murder stirs up the waters. Now an unlikely team, Maite and Tomás resume the hunt for a murderer who is closer than they imagine.