Marcélia Cartaxo

As São Paulo erupts in an unprecedented wave of violence, a lawyer with underworld ties must strike a deal with the police to rescue her kidnapped niece.

There are many ways to overcome the losses and drop-outs of childhood. Three boys reinvent the concept of family to face the traumas of their lives.

In the favelas of Rio de Janeiro of the 1930s, João Francisco dos Santos is several things — son of slaves, ex-convict, thug, homosexual and adopted father for a number of pariahs. João expresses himself on the stage of a cabaret as Madame Satã.

Helen lives in a cortiço with her grandmother, Mrs. Graça, who supports the family with informal jobs, such as selling skewers. Still very naive, her biggest concern is buying her grandmother a birthday present: a makeup kit. The girl is going to bend over backwards to get the money and her search will reveal the daily life of those living in tenements, outlining a collective story from the network of relations that the girl establishes.

Russas, a small town in northeastern Brazil, is the home of Pacarrete, a grumpy retired dance teacher who dreams of getting a big shot and starring at a dance spectacle for the whole town to see. She's close to fulfilling that dream, but not without overcoming a few impediments along the way.

Hermila and Leandro want to escape. Hermila and Leandro want to stay.

Drylands could be anywhere, just as Marcélia Cartaxo could be many women (including herself). The actress is placed in a situation in which she encounters nature and other female figures, in some instances, her doubles. Out of these encounters spring other possibilities that operate in the world of representation, which, in the film originate from the same imaginary power as children's games in empty lots.

Macabéa has just moved to the big city after her aunt, who raised her, died. She gets a job as a typist and moves into a boarding house with three other women. In her spare time, she listens to a radio station called Time; on Sundays, she likes to ride the metro. Then she meets Olímpico, a northeasterner like herself, who has dreams of becoming a congressman.

Milionário and José Rico are robbed of their money and their fans' enthusiasm. But a female truck driver is out to help them.

In São Paulo, in the late 1960s, the convent of the Dominican friars became a trench of resistance to the military dictatorship that governs Brazil. Moved by Christian ideals, frets Betto, Oswaldo, Fernando, Ivo and Tito came to support the guerrilla group Ação Libertadora Nacional, commanded by Carlos Marighella.

In a small village in the hinterland, three stories of love and desire are changing the emotional landscape of its residents. Characters of a romanesque world in which their conceptions of life are limited on one side by human instincts, on the other by a blind and fatalist fate.

Antônio Martins, respected theatrical critic, is a very rational man. But a chance meeting with young Inês, a nude painting model, is going to rock him. Inês keeps a relationship with painter José Torres Campana, an older man with a deep influence over her. Antônio gets jealous, and the three become characters of a drama saturated with desire and danger.

In northern Brazil, Hermila patiently waits for her husband. However, he has abandoned her. Sexy, restless and resolute, she raffles off "a night in paradise" with herself. This beautifully-shot portrait doesn't shy away from the burdens of a young scarred woman, but it also celebrates her courage to live according to her own rules.

Policarpo is a chauvinistic patriot, a major who tries to find solutions for Brazilian problems using only the resources of his own country. His visionary and idealistic temperament is behind his strange ideas about how to build a great nation.

A documentarist is convinced by her son to travel to Brazil's Northeast so she can throw his dad ashes at São Francisco river.

In 1965, a year after the military coup in Brazil, an oasis of freedom opened in the country's capital. The Brasília Film Festival: a landmark of cultural and political resistance. Its story is that of Brazilian cinema itself.

In 1987, in Goiânia, two paper collectors find a radioactive capsule and sell it to the owner of a junkyard. Once the capsule is opened, more than 250 people end up contaminated by the substance called Cesium 137, being the biggest radiological accident in the history of Brazil.

Young Alice lives with her mother Helena in Ciarema, in a house facing the sea. The residence suffers from the advance of the sea levels. The daughter, an environmentalist, plans to move elsewhere, but the mother wants to stay in town. They need to find a solution together.

Diana's family produces coconut sweets. João gathers the coconut and Diana and Lucia make the sweets. Zacarias sells product in the city. One day, Diana goes to the river with her mother and her aunt Maria.

A fraud in a labor cause is discovered, but nothing like a good deal in Brazil. With Justice, with the market, with everything.

In the 1930s, in Passaperto, the powerful Cândida controls the family until the arrival of Laura, considered a miracle, who awakens passions and rivalries that will change everyone's destinies.

A great love story, a family rivalry that spans generations: the telenovela narrates the love for the São Francisco River, which is revealed in the feelings between Maria Tereza and Santo.

Adrift and desperately needing money to pay for his ailing adoptive father's care, Ubaldo, a bank clerk who's unable to remember his childhood, receives an inheritance that will change his destiny for good. He goes to Cratará, in the heart of the northwest desert, where he'll become the leader of a pack of ruthless bandits, fulfilling the legacy of his biological father - a mythical cangaceiro.

The story of two country folk, Josué and Rosa, and how they meet to become one of the most famous cangaceiro couples of all time.

Meet Sereia, a young and beautiful singer whose world of fame and fortune is interlaced with envy and hate. Her murder in the midst of carnival shocks the entire country and the hunt for her killer reveals a new suspect with each new day of investigation. Holding the status of a big-budget thriller, the miniseries brings about mysticism, sensuality and suspense that hooks the viewer until the astonishing end.

Vitória and her son, Cristiano come back to their hometown Desterro, running away from a troubled life in the city. She asks her brother Balbino for shelter. The arrival of mother and son brings the town’s secrets and forgotten stories back to light, in strange, mysterious ways. Cristiano’s journey of self-discovery through the town’s ghostly entrails sets him in a collision course with the most powerful man in town: his uncle.

Death Caetana, the terrible ounce winged, flying over the hinterland where a circus troupe led by an old clown comes to a village. The old clown open a thick book and begins the representation of an enigmatic novel, heroic and memorialistic: The Stone of the Kingdom. The clown is Pedro Dinis Quaderna, the protagonist of the novel, already aged, and the representation of the content will be his own memories. The old clown recalls the moment, "arrested and prematurely aged by suffering , after 41 years" wrote the novel in the public chain Taperoá.