Larissa Góes

On New Year's night, Sandro suffers a heart attack and needs to have an emergency transplant. He ends up receiving the heart of Isadora, a transvestite owner of a beauty salon who had died a few moments before, victim of a runover. After the transplant, Isadora, in spirit, starts to follow the publicist's steps. Meanwhile, Sandro begins to notice changes in his behavior and begins to see the world in a different way.

A terrified young woman is staring at a disturbing monstrosity, a kind of Pagan spirit that has sprung out of a river. Such is the opening scene of Pajeú, named after the creature, a fantastic character which follows the meanderings of the river and drives the story. Eager to get rid of a nightmare that is infecting her life, Maristela is looking into the story of Pajeú, the now forgotten figure buried in the depths of the city of Fortaleza. The film goes through successive urban transformations leading to the burying of Pajeú, a mystery imbued with supernatural elements.

Pilar, a young hotel maid, has her path crossed by Shin, a middle-aged South Korean guest. The plans of both go wrong and, despite everything that separates them, they end up getting closer and establishing a relationship of solidarity.

Leader of the student union, Saulo is the target of racist curses inside the classroom. When he retaliates, he is called to the principal's office, but refuses to suffer the consequences of the attack alone, since the aggressor is not responsible for his speech. Inspired by readings about the Black Panthers, the boy decides to stay in school until justice is done. Meanwhile, he exposes the neglect of the establishment's structure with his cell phone. Gradually, colleagues, teachers, directors and even politicians get involved in the conflict that is highlighted in the media.

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

Young Alice lives with her mother Helena in Ciarema, in a house facing the sea. The residence suffers from the advance of the sea levels. The daughter, an environmentalist, plans to move elsewhere, but the mother wants to stay in town. They need to find a solution together.

"O Filho Único do Pai" tells the story of Lucas, a frustrated logistics analyst who tries to pull himself together after being betrayed by his fiancee. And when everything looked bad enough, Antônio, his father, an eccentric retired actor, reappears after a long time and forces his son to make decisions that will change the direction of his life.

Dayane suddenly leaves. Her mother Marluce, her sister Mariana and her fiancé Antônio stay. Between the incessant search, silent resignation and silent denial, this touching family drama from Ceará is located.

A great love story, a family rivalry that spans generations: the telenovela narrates the love for the São Francisco River, which is revealed in the feelings between Maria Tereza and Santo.

The series is set in the 1970s. In the story, the mayor clashes with the idealist Francisgleydisson, owner of Cine Holliúdy—the only cultural attraction in Pitombas, a fictional town in Ceará.

Two neighboring couples are shocked after their teenage children's fight, with absurd consequences. What could be a common misunderstanding grows and reveals the limits and influence of parents in raising children.

The story of two country folk, Josué and Rosa, and how they meet to become one of the most famous cangaceiro couples of all time.

After being hit in the head, a man wakes up in 1927 to discover that he’s the spitting image of a famous bandit — and decides to make the most of it.