Anna Pettersson

Arne Anka had been declared dead as a comic strip character since a few months back. However, by this time Charlie Christensen's (a.k.a. Alexander Barks) creation had reached status as quite a cult phenomenon, so the play must have been received with much anticipation and enthusiasm, so much so that it was filmed and subsequently released on video-tape.

Autumn 1978 in suburban Sweden. Everything seems to be fine with the middle class Bendrick family with their two teenage children and a younger son, until the mother starts seeing her first love again after 20 years. Just like their badly built house, the family façade starts slowly crumbling into pieces. The daughter, 15, finds her first love, and the boys too are puzzled by their own questions around adolescence and sexuality. The father tries to keep up a happy face, while the youngest son is the first and the most sensitive to realize how the family is heading towards a disaster.

Münster stumbles upon the body of a young woman who has been strangled in her home and surprises the killer, who is still at the scene. The killer flees, but an unusual book is found at the scene, dedicated to the killer. When another victim is found, Van Veeteren's literary expertise is put to the test when it becomes clear that they are dealing with a serial killer who chooses his victims based on the names of characters from 19th-century crime novels. What will be the name of the next victim?

Two kids - about 11 years old - Marcello and Fatima, meet and like each other very much. Both have dreams and problems. Marcello wants to fly but feels like an absolutely useless human being, Fatima wants to play soccer - which is not acceptable for her Muslim family. But then they start to support each other in a very delicate and subtle manner...

About the individuals who live in a mad-house. This kind of people usually seem to be quite normal. However, from one scene to another they may dramatically change, thereby revealing their deep problems with themselves and the society they cannot live in anymore.

A young art student accidentally discovers that there is a secret committee consisting of four women and twelve men in the attic of the National Museum. They decide what constitutes good art and which artists will be successful. The committee consists of museum directors, art school principals, a media personality, a famous artist, art critics, and a gallery owner. But when another male professor of photography is appointed to the art school, the students protest against the "boys' club" and complain that there are too few female teachers. The media naturally jumps on the bandwagon, and it quickly becomes a public debate. When student Ylva Zetterqvist is about to present her final exhibition, she locks her teachers in a room and pours gasoline on the walls. She wants to know why they have not chosen her to be recognized.

Three lonely people meet by chance in the waiting room of a train station.

Jonas has promised to take time off work to take care of his baby daughter so that his fiancé can go back to work. The problem is that his company, a taxi service, needs serious attention so Jonas tries to work nights and be a good father in the daytime.

A lot of hell and very little heaven heaven among homeless and damaged characters in Stockholm. The young heroin addict couple, the slippery pimp, a mentally ill poet, are some of the personalities we are being served.

An annual Swedish Christmas calendar television series.

Archaeologists dig up a mass grave in a Swedish forest. A special police group is set up to find out the murderers.

Nina and Thomas, a young couple in their thirties, are expecting a baby. They live in a small community and are in the process of renovating their house which is situated on a lake outside the village. Thomas works at a gas station and gets help with the renovation from Nina's brother, Sigge, who works at the town bakery. One day an Estonian couple come to the gas station, changing their lives forever.

Advent calendar series about 8-year-old Kaspar who lives in a small house with his grandfather. Kaspar is a philosophizing little boy who ponders both big and small.

About the individuals who live in a mad-house. This kind of people usually seem to be quite normal. However, from one scene to another they may dramatically change, thereby revealing their deep problems with themselves and the society they cannot live in anymore.

Tobias is in the middle of his life, works at an art museum, divorced and living with his 16-year-old daughter. His ex-wife is struggling with her new life, his brother is looking for excitement in life by being unfaithful and his daughter longs to move away from home. Close to Tobias are also the beautiful journalist Liv and the straightforward primary school teacher Graci.