Adam Wide

Children's puppet programme featuring music and stories. Join George, Bungle, Zippy, and all their friends at the Rainbow House, always an exciting place to be.

The New Statesman is a British sitcom of the late 1980s and early 1990s satirising the Conservative government of the time.

Harry Enfield, Kathy Burke, Paul Whitehouse and others take on an array of oddball characters and old-time favorites in this sketch comedy show.

A British comedy sketch television series featuring Mel Smith and Griff Rhys Jones that ran on BBC One and BBC Two from 31 January 1984 to 14 October 1998. From series 5 in 1989 the 'Alas' title was dropped and became simply Smith and Jones.

Never the Twain is a British sitcom that ran for eleven series from 7 September 1981 to 9 October 1991. It was created by Johnnie Mortimer, and was the only sitcom he ever created without his usual writing partner, Brian Cooke. Mortimer wrote the entirety of the first two series and four episodes out of six of the eighth, with the rest being mainly written by Vince Powell and John Kane. It starred Windsor Davies and Donald Sinden as rival antique dealers, and also starred Derek Deadman, Zara Nutley, Robin Kermode, Tacy Kneale, Julia Watson, Honor Blackman, Teddy Turner and Maria Charles. The title is taken from the Rudyard Kipling poem; The Ballad of East and West.

C.A.T.S. Eyes is a British television series made by TVS for ITV between 1985 and 1987. A spin-off of the series The Gentle Touch, Maggie Forbes leads an all-female detective agency called "Eyes" that secretly operates as a Home Office team known as C.A.T.S. (Covert Activities Thames Section).

A mixture of stand-up and sketch comedy, fronted by Jasper Carrott.

A spoof documentary-style programme where the pair investigated places and phenomena such as 'up north' and the Loch Ness monster.

This carefully observed documentary tells the story of the Berlin Bruisers, Berlin’s first gay-inclusive rugby team. What started out as an informal ball game in the Tiergarten five years ago is now an official rugby league club, even if they are, in the words of one Bruiser, “Berlin’s worst rugby team”. Told from the perspective of several team-members, the film follows its protagonists around both the rugby field and their personal lives, in the process providing an intersectional portrait of masculinity, and expanding the clichés so often applied to gender and sexuality into a richly textured account of the universal search for belonging and personal fulfilment. Made with a deeply inclusive tenderness and intelligence, Tackling Life is the graduation film of first-time feature director Johannes List