Malcolm Hugo Glenn

Best friends Romano, Potlood and De Paus rise in the rank of the criminal world. Before they know it, they run Amsterdam's entire coke market. Because of jealousy, their relation becomes complicated and ends up hostile.

This series takes place at a cutting-edge city hospital. The first season follows Ella, a skilled obstetrician who leads a team of fellow medical professionals. Together, they must perform under immense pressure. The healthcare providers and their patients represent all walks of life and amidst their many triumphs and struggles, laughter and tears occur in equal measure. The thin line between one's personal life and one's professional life becomes increasingly blurred when working such long hours, making conflict unavoidable. But in the end, there is one thing that unites everyone on this parallel hospital-universe: the universal human experience of new life, fragile yet filled with hope and potential.

When Jack's affair comes to light, his wife Betty hatches a bitter plan to strip him of the thing he loves most: The Jackal, his coffeeshop empire.

Tropenjaren is a comedy about the whirlwind of new parenthood and a former life that’s gone for good. When Jelle and his wife Rosa welcome their first child, a new chapter unfolds. The young parents strive to do their best for their daughter Stella while also trying to keep their work lives and relationship as lively and ambitious as ever. Nights out and parties, however, quickly give way to diapers and babysitters. In short, the couple is gearing up for the tropenjaren—the intense early years of parenting.

After wrecking his car in a deserted road in the middle of the forest and being found with the blood and mobile phone of his niece, successful criminal lawyer Daniel Elias can no longer remember who he is but must find a way to prove his innocence, even though he does not know whether he is guilty or not.

Amsterdam the early 1980s Our capital is plagued by unemployment, activism and cityforming. Its history is being bulldozed to the ground with great strides. The No Future generation is searching for ways to maintain a life in a city that seems to crumble away under their feet. The uninhibited Anna seeks her stability in the arms of squatter Sjaak, who seems to know the way of the world. Anna who is but too happy to be guided, enjoys the freedom. But can Anna muster the same fighting spirit when push comes to shove? Or do you actually need different things to survive?