Eleni Ouzounidou

Bored soldiers, hard-ass commandos, dirty boots, guard duties, a Greek mommy, an influencer, a plastic surgeon, a gambling-addicted secretary and a caravan parked right outside! Two adjoining camps in the greek border. Two commanders in the middle of a "battle" that started years ago for a woman and now erupts for the position of brigadier general. One is old-school, cold-blooded militarist and the other lenient and caring. Goulas and Skordas. Sworn enemies!

Odysseas, lives in Athens, far from his family. The complicated relationship with his father, Lefteris, has led them to estrangement. However, when an unpleasant event forces Odysseasto return to Serres, everything begins to change. Thus, two strangers in the same house, in the same city, father and son, start from scratch to get to know each other. Having Chrysa by his side and Stamatina, Nancy and Thomas opposite him, Odysseas will help his father get back on his feet. Through moments of emotion and laughter, Odysseas and Lefteris will truly get to know each other, will love each other from the beginning and will reconcile with their differences, but also with loss. In a provincial town, with images from a Greece we all know, Odysseas and Lefteris discover that the world is more beautiful when we accept ourselves, and those around us, for who they really are.

A strictly appropriate comedy, comes to a nursing home... pure madness!

The new 24-episode musical comedy is a hybrid of comical situations, heaps of satire and musical spectacle, based on Foivos Delivorias and Spyros Krimpalis' original idea and directed by Grigoris Karantinakis. An original fiction series, in which reality will be defeated by surrealism.

When internationally renowned chef Kimon Orloff discovers that his real father is not the man who raised him but the owner of the tavern "I Lagoudera" who is facing serious financial problems, he must work with him if he wants to save his business.

The series is about a football team in a village in Greece called "rahoula". Aris zagoritis, a professional coach returns to rahoula as a coach to train the team, help them win the trophy and face their biggest rival "paradeisi".

Four women, from different worlds, reunite after years of silence to fulfill the promise they made in childhood: to take revenge on Gerasimos Mantas, the young director who abused them at the orphanage where they grew up. However, things do not turn out as they had planned. Instead of a well-organized plan of revenge, the situation spirals out of their control, with the women becoming entangled in tragicomic situations filled with failed attempts and unpredictable events. With a dark yet comedic perspective, the film touches on deep human trauma, while the heroines’ quest for revenge becomes the focal point of a black comedy.

A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.

A middle-aged fisherman living with his wife and daughter on Greece’s northern border, who is drowning in debt, starts to smuggle migrants across the border lake, in exchange for a hefty fee. Until a tragic incident strikes the family, pushing the three heroes to face their own personal impasses and weaknesses.

The life of an overanxious young director searching for success is further complicated when he is forced to raise money for a movie screenplay he detests, in this laid-back comedy.

A husband whose young wife has committed suicide meets for the first and last time his Russian mother-in-law who has arrived to collect the coffin.

The acclaimed Greek director returns with a bittersweet story about the need for human contact. Two men are hired to keep watch on a home in Athens, where a room is illegally built. They will meet many passers-by, some of whom are in fact building inspectors attempting to catch them in the act.