Anton Ksenev

Mikhail Devyatayev, a captured Soviet pilot who leads an escape from a German concentration camp by hijacking an aircraft.

A 15-year old Vika has to grow up. Only yesterday she was just a teenager and now she’s a mom. Catching sidelong scowls of adults, being mocked by peers, unbearable responsibility – it seems like the entire world is against her and Vika is all by herself. More truly, she has a child now, she’s not all alone.

In the center of the plot is a senior investigator named Masha Shvetsova and her male colleagues. The plot is the most vital, but, like in “Streets of Broken Lanterns,” it is seasoned with a fair amount of humor - otherwise, how can the audience (and the heroes) endure countless morgues, identifications and other “cute” charms of the investigative routine?