Holger Juul Hansen

A disturbed loner can't tell the difference between fantasy and reality.

The terrorism from a juvenile gang culminate when the gang leader kills a gang member who want to leave the gang.

The mutant fetus is born. Dr. Helmer comes under heavy scrutiny for a botched operation that left a patient braindead, and begins to dabble in the dark arts in order to ward off those seeking an end to his career. Hypochondriac Mrs. Drusse finally does have something bad happen to her medically when an ambulance hits her.

Charles and Peter have passed their law degree and are looking forward to wooing a few girls in the country. For that, they need a chaperone and persuade their fellow student Ditlev to play Charles's aunt from Brazil. Ditlev has a talent for acting and takes the role very seriously, but when Charles's real aunt turns up, things get complicated.

6th Grade gets a new substitute teacher. She wants to train the class for an international competition in Paris. But something isn't right. How is she able read kids' minds? Why is she so mean? And how does she manage to convince everyone's parents she is so great when the whole class knows she is really an alien?

As usual, Egon has an ingenious plan. And, as usual, it works just fine until one of the gang members makes some kind of funny error. This time, however, even Egon's life is in danger, for some international criminals try to get rid of him by throwing him into a container filled with acid.

Criminal genius Egon Olsen presents his accomplices Benny and Keld with yet another infallible plan that can only end badly. The booty is a red suitcase containing values ​​worth five million. The sinister mastermind Bang-Johansen carries the suitcase. The Olsen Gang follows him to Paris, where they put their cunning and carefully organized plan into motion.

This television film records Ingmar Bergman’s Copenhagen stage production of Molière’s The Misanthrope, presented as a guest performance at the Royal Danish Theatre. The play centers on Alceste, a man who rejects social hypocrisy and flattery, whose rigid principles are tested by his love for the socially adept Célimène.

FINAL ACT is based on Noel Coward's play "Waiting in the Wings". Even the smallest events turn into mind-blowing dramas at The Set, a retirement home for former actresses in England. Jealousy and madness flare into a firework display of toxicity when ex-primadonna Lotta Henderson (Birgitte Federspiel) moves in. A slap in the face of The Set's leading star in her own eyes, May Davenport (Mime Fønss), who has had a lifelong rivalry with Lotta both on stage and off. The daily dramas reach dizzying heights when a scandalous journalist (Anne Marie Helger) gains access like a wolf in sheep's clothing. A stunt that has a not-so-clever connection to the ladies' burning desire to be granted a veranda. The matter is raised to the highest level of the home's tough board of directors, and The Set's secretary Perry (Holger Juul Hansen) comes under justified suspicion of skulduggery. But this is where May Davenport's diva talent comes in as a sure trump card...

Three young men discover a scam that three somewhat older gentlemen from Aarhus' upper class have set up to avoid bankruptcy. The gentlemen directors have both accounts and safe deposit boxes at the bank branch where one of the young men works, so it seems only natural to give the swindlers a taste of their own medicine, so to speak. The situation is further complicated when a journalist gets wind of the double heist and wants his share of the pie.

A look at what happened when Denmark abolished censorship in the late 1960s.

Open marriages, friends and lovers, secrets and lies are all coming to light after a fatal accident during a party. Was it murder? Early Leif Panduro drama.

Egon is starting to be a little forgetful; he forgot the zone number, so he fails to open the strongbox. When he gets out of Vridslose State Prison, Kjeld and Benny have become associates of Yvonne's cousin Georg from America. He is not just some old-fashioned strongbox thief that can't remember like Egon, but a young hip IT criminal, that thinks that everyone else is inferior. However, Egon doesn't take lightly to the Georg's patronizing so he sabotages Georg's computer and ruins his cup. This time Egon's ambitions reaches a new high, when he and his gang break in to the World Bank, and they get away with it. Of course, thanks to Yvonne, they aren't rich very long.

When a boring collage professor is mistaken for his cousin, he gets into all kinds of trouble, with hilarious results.

Hodder is nine years old. He lives on his own with his father, who works nights as a bill poster. One night a fairy appears to Hodder and asks him to save the world.

The Danish Ingen tid til Kaertegn (Be Dear to Me) is heavily reliant on the appeal of its star, 8-year-old Eva Cohn. Our heroine is the neglected child of a businessman father and actress mother. Feeling that happiness lies well outside her own backyard, Eva goes on a search for that happiness. The longer she stays away, the more her parents realize that they've unfairly ignored her. The plot is nothing new: it's what is done with it that pleases the eye and ear. Ingen tid til Kaertegn was one of the more popular entries in the 1957 Berlin Film Festival.

A good natured soldier with a killer right hand falls in love with a beautiful girl who has a troubled past.

Jørgen Leth can squeeze poetry from a stone and wit from dust, and he can find love where the milk of human kindness runs dry. In a series of tableaux of Life in Denmark, he carries absurdism to a happy extreme. To act out his minuscule non-dramas, he uses a motley crew of professional actors like Ghita Nørby and Claus Nissen, writer Dan Turéll plus a snake charmer, a bicycle racer and a circus queen.

After his girlfriend is killed in an automobile accident, a man decides the best revenge on those responsible is to murder their loved ones.

Niels Pind is a drunkard who is exploited by some of the town's residents. This comes to an end when his son, Jens, returns from America with a lot of money. Jens buys the local estate and starts extracting gravel from the ground. He quickly gains a bad reputation in the area because he only thinks about money. Niels Pind disowns his son. However, Jens changes as he falls more and more in love with Ingrid.

Rikki was devorced recently, and now find herself paying the bills on her own. And life is not cheap, especially when you have a young child to care for. To make ends meet, Rikki begins to frequent a bar where she can work as a prostitute.

The Kingdom is the most technologically advanced hospital in Denmark, a gleaming bastion of medical science. A rash of uncanny occurrences, however, begins to weaken the staff's faith in science – a phantom ambulance pulls in every night, but disappears; voices echo in the elevator shaft; and a pregnant doctor's fetus seems to be developing much faster than is natural.

The series follows the residents of an apartment building on Copenhagen's Christianshavn, as they go about their daily lives and challenges. There is Olsen, a mover with an old fashion view of the world, Clausen who runs the local pet shop, Egon the career focused assistant, their wives who work hard to keep their spouses lives together, the young couple Tue and Rikke who recently moved in, the hard working caretaker Meyer, who never puts in to much effort, and of course Emma, the innkeeper of Rottehullet, where all the important decisions are made while running up the bar tab. The series was produced by Nordisk Film for Danmarks Radio TV station between the years 1970-77. The series' first director was Ebbe Langberg, then Erik Balling and Tom Hedegaard respectively. The series was conceived by an author team of well-known Danish authors such Leif Panduro, Benny Andersen, and Lise Nørgaard.

Sommer is a Danish TV-drama aired on DR1 in 2008. The series was created by Jesper W. Nielsen and Karina Dam

Matador is a Danish TV series produced and shown between 1978 and 1982. It is set in the fictional Danish town of Korsbæk between 1929 and 1947. It follows the lives of a range of characters from across the social spectrum, focusing specifically on the rivalry between the families of two businessmen: The banker Hans Christian Varnæs, an established local worthy, and social climber Mads Skjern, who arrives in town as the series opens. The name Matador was taken from the localised edition of the boardgame Monopoly, also the series' tentative English title. In addition, in contemporary Danish a "matador" is often used to describe a business tycoon, in the series referring to the character of Mads Skjern and his craftiness as a self-made entrepreneur. Directed by famed Danish film maker Erik Balling, Matador was the idea of author Lise Nørgaard who wrote the bulk of the episodes alongside Karen Smith, Jens Louis Petersen and Paul Hammerich. The series is one of the most well-known and popular examples of Danish television and represents the peak of longtime development of Danish TV drama by the public service channel Danmarks Radio. The series has become part of the modern self-understanding of Danes, partly because of its successful mix of melodrama and a distinct warm Danish humour in the depiction of characters, which were portrayed by a wide range of the most popular Danish actors at the time; but also not least because of its accurate portrayal of a turbulent Denmark from around the start of the Great Depression and through Nazi Germany's occupation of Denmark in World War II.