Dominika Biernat

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

Three days in the life of fitness motivator Sylwia Zając, whose presence on social media has made her a celebrity. Although she has hundreds of thousands of followers, is surrounded by loyal employees and admired by acquaintances, she is looking for true intimacy.

Ada and Ewa are two young schoolteachers in love who discover that their apartment building is scheduled for demolition. Unwilling to return to their families, and lacking both savings and clear prospects, they embark on a chaotic quest for a new home. Their journey through the city transforms into an absurd odyssey, introducing them to various fellow citizens navigating the housing crisis. Amidst this systemic uncertainty, they fight to preserve both their sense of humor and their relationship.

Mira, a 60 year-old woman, appears to have a normal life. One morning she starts her day like any other, wakes up early, puts her family's clothes out to dry, purchases food for her fish and commits a bank robbery with a kitchen knife. She discovers her need for money is surpassed only by her need for love.

A young mother returns to her village after a hospital stay and is forced to deal with an emotionally distant husband and her own simmering guilt.

Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.

EPOKALIPSA uses narrations from Vlado Butler books, and very short of Malga Kubiak’s own book OMS.

Lizzy Siddal 1829-1862, Pre Rapahelites model, addicted to Laudanum, marry Gabriel Rosetti.

Afonia's husband is an ex-boxer, an ex-inmate of a Nazi concentration camp and almost ex-living person as he is paralyzed after an accident. Her daughter is already married. And although Afonia's name is Russian, she is Polish. The only thing both heroines share is love to another strong, handsome and addictive man. A Russian man.

This film shows the last days of Pasolini’s life that he spent in Stockholm. He was invited to visit the Institute of Culture and give an interview in the Swedish Film Institute. Together with his boyfriend Ninetto they stayed in Diplomat Hotel. Where he was murdered at 1.30 a.m. on 2nd November; 1975.

Ewelina Janiszewska Smolianka Stolnikowna Smolenska & Willhelm 2ed The Hunter, Malga Kubiak great grandmother 1862-1886.

A documentary about Malga Kubiak and her team. It's not only a movie about her, but also about the situation of independent, lesbian and queer cinema in Poland, Europe and all over the world. Malga is a director, activist, mother, daughter and grandmother. Her family is constantly engaged in her work. She made over 40 movies about such queer icons as Pasolini, Annemarie Schwarzenbach, F.G. Lorca, Andy Warhol or Lizzie Siddal, the muse of Pre-Raphaelites.

After her wealthy husband leaves her with nothing, a high-society Warsaw snob is forced to use the only survival skills she has left — her sharp wit.

Jacek is a foodie, gay and Warsaw bon vivant who has his own TV show, several similarly eccentric close ones around him and self-destructive tendencies. A dramedy that makes fun of the Polish artistic elite, for whom Warsaw is “the only real Polish city”, cannot be compared to other shows. It is the authorial work of playwright and screenwriter Pawel Demirski. He wrote it from the beginning with the intention of presenting a hero contrasting with the burnout syndrome often felt today - a vital madman who believes the best is yet to come.